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Article: Album Review

Tyshawn Sorey, Marilyn Crispell: The Adornment of Time

Read "The Adornment of Time" reviewed by Giuseppe Segala


Se si focalizza l'attenzione sui duetti di pianoforte e batteria, balza subito alla mente il titanico Historic Concerts, che vide protagonisti Cecil Taylor e Max Roach nel dicembre del 1979, ormai più di quarant'anni fa. L'accento della musica era centrato sulla comune natura percussiva dei due strumenti, pur con tutte le differenze organologiche e tutte le ...

Results for pages tagged "anthony braxton"...

Musician

Anthony Braxton

Born:

To his list of achievements and awards, Anthony Braxton may now add the 1994 MacArthur Fellowship: the so-called "genius" grant of (in his case) $300,000, awarded to individuals nominated for outstanding and original contributions to their field. The timing of this crowning achievement couldn't be better for Braxton's most recent professional goals: he is the founding Artistic Director of the newly incorporated Tri-Centric Foundation, Inc., a New York-based not-for-profit corporation including an ensemble of some 38 musicians, four to eight vocalists, and computer-graphic video artists assembled to perform his compositions. The ensemble's debut at New York's The Kitchen sold out the last and most of the first two of three nights, through the press excitement it generated; the reviews—in Down Beat and the Chicago Tribune (John Corbett), the Village Voice (Kevin Whitehead), and the New York Times (Jon Pareles)—ranged from positive to ecstatic. Most importantly, the musical success of the event inspired Braxton to pursue the "three-day and -night" program concept for this ensemble, including lectures/informances, and splinter chamber performances, around the world. The second New York event, indeed, expanded on the concept: The Knitting Factory presented six nights of Anthony Braxton and his music, in all the variety of its vision

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Article: Year in Review

2019: Striking A Balance In Review, Part 1

Read "2019: Striking A Balance In Review, Part 1" reviewed by Henning Bolte


Part 1 | Part 2 Every year the 'Best-of' game is underway again. But, “best of what?" is the immediate question. It's almost impossible for fishes of prey to hunt in a huge herring swarm, or for birds of prey to hunt in those huge budgerigar swarms. 'The best' is a choice from the ...

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Article: Lyrics

Bill Dixon e Cecil Taylor: iniziò a Verona

Read "Bill Dixon e Cecil Taylor: iniziò a Verona" reviewed by Angelo Leonardi


La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...

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Article: Interview

Carla Marciano: Tensione, melodia e improvvisazione

Read "Carla Marciano: Tensione, melodia e improvvisazione" reviewed by Paolo Marra


La libera improvvisazione, aspetto fondamentale della dialettica jazz, ispirata da colonne sonore di film entrati nella storia della cinematografia moderna ormai patrimonio della memoria collettiva. Così potremmo sintetizzare l'ultimo lavoro discografico della sassofonista Carla Marciano, tra le più apprezzate a livello internazionale, dal titolo Psychosis. L'album rappresenta un personale omaggio al direttore d'orchestra statunitense Bernard Herrmann ...

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Article: Profile

The Very Singular Mr. Ran Blake

Read "The Very Singular Mr. Ran Blake" reviewed by Duncan Heining


There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...

Article: Album Review

Steve Lehman Trio, Craig Taborn: The People I Love

Read "The People I Love" reviewed by Alberto Bazzurro


Il timbro asprigno, acidulo, e l'incedere di preferenza incalzante, spigoloso, dell'alto di Steve Lehman (i cui principali modelli, dichiarati, sono com'è noto Jackie McLean e Anthony Braxton) attraversa pressoché a senso unico questo nuovo lavoro del quarantunenne sassofonista newyorchese, determinandone climi e disegno complessivo, il tutto confezionato con la complicità del suo trio abituale (nonché ormai ...

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Article: Multiple Reviews

Playing Catch Up With 2019

Read "Playing Catch Up With 2019" reviewed by Jerome Wilson


There always seems to be a constant flow of worthwhile new music coming out, so much that it is to be impossible to cover it all within its calendar year. Here are seven notable releases from the last few months of 2019. Gebhard Ullmann mikroPULS Intuition 2019 The ...

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Article: Album Review

Anthony Braxton: Quartet (New Haven) 2014

Read "Quartet (New Haven) 2014" reviewed by Don Phipps


The shifting moods of Anthony Braxton's Quartet (New Haven) 2014 probably have to do with the song dedications. Each number reflects a famous and important popular musician and composer—-Jimi Hendrix, Janis Joplin, James Brown and Merle Haggard. These four musicians would most certainly provide a strange but intoxicating mix if played at a party. Yet Hendrix's ...

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Article: Album Review

Steve Lehman Trio + Craig Taborn: The People I Love

Read "The People I Love" reviewed by John Sharpe


On The People I Love, alto saxophonist Steve Lehman, Janus-like looks back, while simultaneously looking forward. He recruits celebrated pianist Craig Taborn to bolster his longstanding trio of bassist Matt Brewer and drummer Damion Reid. It was once said that Taborn was fated to play better on other people's records than his own. Happily that is ...


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