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The great saxophonist Evan Parker wouldn’t embark on a tour with someone of lesser or diminutive talents. Recently, Parker and saxophonist Ned Rothenberg joined forces for a series of live performances at selected venues. Yet on Sync, Rothenberg performs with bassist-guitarist Jerome Harris and percussionist Samir Chatterjee for a jubilant set of sprightly works marked by an overall air of contentment and joy! Pieces such as “Gamalong” and “Dad Can Dig” combine sharp, punchy rhythms with North Indian motifs as Harris firms down the rhythms either on acoustic guitar or acoustic bass while Chatterjee melds traditional Indian raga concepts with straight-four implied and undulating measures. On these tracks, Rothenberg performs on alto sax as the trio often weaves in and out while turning in memorable themes and sharp, tightly organized unison lines. Rothenberg utilizes the flute on the somewhat mystical and reverberating “Lost In A Blue Forest” while Chatteree implements crashing percussion statements which enables this piece to be gauged or portrayed in time as if the musicians were on a journey through – a forest. With “Trip To The Bar”, Rothenberg’s flotation style performances on clarinet rides the strong rhythmic undercurrent as he also transforms and reintroduces the main theme in somewhat of a casual or playful manner.
Any new recording by Ned Rothenberg is certainly worth checking into as Sync offers yet another glimpse of this clever and extremely talented stylist. Basically, there’s not one forgettable piece on this rather upbeat affair which is stamped with innocence, strong melodic invention and flowing rhythms. Recommended!
As a songwriter and vocalist, I love jazz for the experience of being in the center of intense creativity. It is the most potent form of music for keeping the artist and the audience in the 'now. Being in the moment is essential for humans, and we need help in learning how to do that. As a songwriter, I need the depth of musicality that jazz voicings can give my stories. My songs seem light and whimsical, but the message is not.
I met my main collaborator, Mark Fitzgibbon, at one of his gigs. I needed to do my first original album, and his playing was masterful, robust, and beautiful. At the time, I didn't realize how suited we were as a team. We're onto our 4rth album together.
My advice to new listeners is to listen to a really clear and simple version of a song so you can then hear what the musicians are doing and enjoy their creativity and musicality. Also, you have to see jazz live to appreciate it fully. You'll never feel it the same way listening to a CD or online. You need the vibration to go through your body to really get it!
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