Home » Jazz Articles » Album Review » Phil Woods / DePaul University Jazz Ensemble: Swingchronicity

293

Phil Woods / DePaul University Jazz Ensemble: Swingchronicity

By

Sign in to view read count
Phil Woods / DePaul University Jazz Ensemble: Swingchronicity
Not your average university jazz band or your typical recording of oft-heard standards, Swingchronicity represents a musical collaboration between one of the finest university jazz bands in the country and a jazz legend. Under the direction of Bob Lark, trumpeter and Director of Jazz Studies at DePaul University in Chicago, the DePaul University Jazz Ensemble is heard live at Chicago's Jazz Showcase with special guest, world-renowned alto great Phil Woods.

Producing an unbelievable sound for a college level group, one gets the sense that you've just heard from the up-and-coming jazz starts of the future. Woods' brilliance is heard on the first seven of this ten-tune set..

This is not the first time that Woods and Lark have worked together; in fact, they have a history of collaborating and released In Her Eyes (Jazzed Media), by The Bob Lark/Phil Woods Quintet, in 2006. The duo plays together again here on the Sammy Cahn/Jule Styne classic "It's You Or No One, with Lark on flugelhorn.

Another one of Lark's favorite musicians is pianist Jim McNeely, from whom he borrows a couple of charts—"Rosenwind and the fourteen minute-plus "Skittish, featuring pianist Ben Dockery, bassist Cory Biggerstaff and guitarist Scott Hesse.

Alto saxophonist Nick Mazzarella and drummer Lawrence Haskin display their more than ample talents with fiery play on Thomas Matta's "Recessions. Matta, a member of the DePaul faculty, also provides several lush arrangements, including the Sammy Cahn chart and the brassy opener, "I'm Getting Sentimental Over You, where Woods blows down the doors with the first of his many torrid solos.

Lark also employs two Quincy Jones compositions. Woods shares the lead with student tenor Anthony Bruno and vibraphonist Justin Thomas on "Stockholm Sweetnin', while the altoist takes and holds center stage on "The Quintessence, a beautiful ballad arranged by Rob McConnell.

The ensemble plays a chart from one of their own on "Norwegian Summer, by altoist Lena Lien, who does an excellent job in the shadow of Woods, who is silent here. There are appreciable solos throughout the album from others students including trumpeters Dan Jonas and Justin Surdyn.

If you enjoy big band music, you will love Swingchronicity. Bob Lark and the DePaul University Jazz Ensemble live up to their award-winning reputation in swinging fashion, while master altoist Phil Woods takes care of business with another electrifying performance.

Track Listing

I

Personnel

Phil Woods
saxophone, alto

Phil Woods: alto sax; The DePaul University Jazz Ensemble : Bob Lark: director, flugelhorn (4); Dan Jonas: trumpet, flugelhorn; Gerald Bailey: trumpet, flugelhorn; Justin Surdyn: trumpet, flugelhorn; Jeff Kienstra: trumpet, flugelhorn; Nick Mazzarella: alto, soprano sax, flute; Lena Lien: alto, soprano, tenor sax, flute; Anthony Bruno: tenor sax, flute; Drew Pierson: tenor sax, clarinet; Rick Deja: baritone sax, bass clarinet; Bryant Scott: trombone; Ryan Kienstra: trombone; Andrew Zelm: trombone; Brian Honsberger: bass trombone; Ben Dockery: piano; Scott Hesse: guitar; Justin Thomas: vibraphone; Cory Biggerstaff: bass; Lawrence Haskin: drums.

Album information

Title: Swingchronicity | Year Released: 2007 | Record Label: Jazzed Media


Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.