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For the most part Jazz Arts Trio's Swing of Many Colors presents relatively sedate recreations of recordings by some of jazz's most famous piano trio greats, including Ahmad Jamal, Red Garland, Oscar Peterson, and Keith Jarrett.
Clearly a labor of love, each tune is meticulously reproduced with the fine attention to detail only a pet project can achieve. All three players are astute practitioners and their devotion to the trio form bleeds through, especially on pieces like "Night Train," All the Things You Are" and, "Matrix." Equally apparent is their own satisfaction in solving the difficult puzzle they crafted for themselvesfor it cannot be said that navigating the maze of notes and rhythmic inventiveness of the Oscar Peterson, Keith Jarrett, or Chick Corea trios was an easy task.
However, considering the wealth of recorded music available today and the plethora of opportunities to listen to modern jazz live, it remains a mystery precisely why trio mates Frederick Moyer (piano), Peter Tilloston (bass), and Peter Fraenkel (drums) launched their project to transcribe and reperform classic outings of some of jazz's most famous trios in the first place. While certainly a technical achievement and pleasantly listenable, the result leaves a nagging doubt as to the necessity of placing so much emphasis on resurrecting past performancesincluding those of musicians who are still performing today.
At the end of the day, Swing of Many Colors's appeal can be reduced to the archeological. And while the endeavor of converting improvisational jazz into a fully notated music does exhibit a certain cleverness, it may have been better confined to the classroom or the private musings of these three estimable players.
Track Listing: The Pershing Suite: But Not for me; The Surrey with the Fringe on Top; Moonlight in Vermont; Music! Music! Music!; There is No Greater Love; Poinciana; Woody ‘n You; What’s New; Billy Boy; Night Train; Fly Me to the Moon; All the Things You Are; For All We Know; Matrix.
Personnel: Frederick Moyer: piano; Peter Tillotson: bass; Peter Fraenkel: drums.
I love jazz because it's an area of music where I am free to incorporate everything I've
experienced in music, including multiple genres and global cultures, and creatively express
myself as a composer and improviser
I love jazz because it's an area of music where I am free to incorporate everything I've
experienced in music, including multiple genres and global cultures, and creatively express
myself as a composer and improviser. I see jazz as a big tent music, and have tried to avoid
worrying about what of style of music I play so much as do I express the various styles I've
absorbed in a way that is honest and personal. As a guitarist, it means I cover a lot of
different sounds, and as a composer it means I draw on a lot of different influences quite
freely.
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