Joining the group for this session is Ellekari Larsson, who sings on four tracks with a cute girlish nasal timbre that is quite engaging. It's on one of the vocal tracks, "If You", that Wennerström engages in dissonant playing, even employing a timely squeak now and then in support of Larsson's nonsense syllable purring. Larsson also delivers an impassioned rendition of "Love Me or Leave Me". It's also on another vocal track where the Australian Aboriginal didgeridoo appears, which to me sounds like a kazoo.
With this release, Wennerström demonstrates that she has gained a place among those relatively few practitioners of the big instrument who have given it a formidable presence in progressive jazz. bands. Visit her Internet site at www.wela.nu.
Track Listing: Corridor with Side-Passages; Time Flies; My Umbrella; Stuck Zipper; If You; Juan-les-Pins; Pattern for Priscilla; Saga of the Wood of Whispers; Lisa; Love Me or Leave Me
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!