This British improv troupe has been together for five years, as the synergy shows on this effort, which features works recorded live in concert and in the studio. Not your average instrumentation mix for sure, as the quartet incorporates dabs of electronic effects with an organic sound.
On the opener “Planarchy,” Gail Brand’s muted trombone attack rides atop percussionist Mark Sanders' tumbling tom rolls amid spurts of quaintly rendered EFX by Phil Durrant and Pat Thomas. Besides a few nicely designed rest stops, the band’s fascinating implementations of counterbalancing motifs is abetted by a sense of controlled turbulence. Durrant uses his violin as a method for spewing micro-themes amid Thomas’s delicately fabricated passages. Nonetheless, the artists tend to throw the listener for a loop via their uncanny penchants for eliciting unnatural sounds out of their instruments. On “White Writeable Area,” Sanders executes an avant-garde type tribal rhythm in support of Brand’s employment of multiphonics and the group’s somewhat eerie articulations. It all makes for a rather eclectic musical landscape. Recommended. (New Music/ Improvisation)
I grew up listening to my father's jazz records and listening to the radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy
I grew up listening to my father's jazz records and listening to the radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy. So music and jazz specifically have been a part of me since I was born. I love and perform in all styles of music from around the world. Improvisation in jazz is what drew me in, and still does as well as other genres that feature improvisation. A group of great musicians expressing themselves as one is the hallmark of great jazz and in fact all great music.