Steve Vasconcellos sure knows how to pick them. With a core group including legendary Mahavishnu Orchestra violinist Jerry Goodman, Weather Report drummer Leon "Ndugu Chancler, in-demand LA saxophone ace Brandon Fields and Miles Davis percussionist Munyungo Jackson, the bassist's five year-old Prophetz of Time and Space has plenty of potential as an approachable but uncompromising contemporary electric jazz group. String Theory meets its promise head-on, and the disc will appeal to those who like their fusion on the lighter side.
That's not to suggest that Prophetz approaches smooth jazz territory, because the group's music has a sense of commitment and interplay that defies the programmatic aspect associated with that label. The program is a mix of originals by Vasconcellos and keyboardist Dave Kempton, along with a live version of saxophonist Wayne Shorter's classic "Footprints that takes its time to unfold and features a solo by pianist Otmaro Ruiz that's filled with classical and Middle Eastern references. Ruiz, a former member of John McLaughlin's Heart of Things touring band and a guest on the legendary guitarist's Industrial Zen (Verve, 2006), demonstrates an intuitive blend of technical virtuosity and thematic development that makes his relative obscurity a mystery.
Likewise Fields, who solos passionately throughout but never loses sight of where he's going. On Vasconcellos' "Milesaway the saxophonist proves he's as capable of interaction as he is of leading on the atmospheric intro that references the title track to Miles Davis' In a Silent Way (Columbia, 1969). Fields and Vasconcellos play give-and-take before a more propulsive groove that takes Miles' "It's About That Time as a starting point. Chancler and Vasconcellos anchor and respond to a solo section where individual voices peek out periodically from a more collective "nobody solos and everybody solos approach.
Goodman may not have the same profile as he did with Mahavishnu, but he hasn't lost any of his power or imagination. His tone is surprisingly thick for an instrument that can sometimes sound shrill. He gets plenty to work with on Kempton's Spanish-tinged and irregularly metered "Tranzplacement of the Underbearing, the bassist's funky "Boo Jee Woo Gee, and "Healing and Revealing, which, if it weren't for Chancler's more visceral groove, could fit harmonically into the ECM universe.
Prophetz may be his project, but Vasconcellos doesn't grab much of the spotlight. Content instead to be a team player and overall conceptualist, he's shaped String Theory into a democratic affair that's defined by a simmering energy and accessible soundthat's light but never lightweight.
Track Listing: Boo Jee Woo Gee; Finnigan's Dream; Milesaway; Transplacement of the Underbearing; SieraRiviera; Healing and
Revealing; Reminiscence; Tangashaka; Gem; Footprints (live).
Personnel: Steve Vasconcellos: bass; Jerry Goodman: violin (1,2,4,6,7,9,10); Brandon Fields: saxophone (1,2,4-7,9,10);
Otmaro Ruiz: piano (1,2,4,6,7,9,10); Tadashi Namba: keyboards (1,2,4,6,7,8-10); Leon Ndugu Chancler:
drums (1-7,9,10); Munyungo Jackson: percussion (1, 2, 4, 6, 7, 9, 10); Edwing: guitar (3,5); Thomas Burch
McMorran: piano (3,5,8); Jeff Richman: guitar (8); Enzo Tedesco: drums (8).
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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