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The most appealing thing about Hadley Caliman, save for his very eloquent name, is his equally eloquent and understated tenor saxophone playing. Firmly in a post-John Coltrane context, Caliman plays a virile and muscular tenor saxophone whose tone compels because of its carefully crafted rough edges. Straight Ahead follows up his 2008 Origin release Gratitude.
Caliman's song selection begins with his '60s original "Cigar Eddie," a hard bop scone smelling of scotch and cigarette smoke. Caliman and trumpeter Thomas Marriott summon a Lee MorganBenny Golson vibe as deep as the Grand Canyon and wide as Caliman's broad, raspy tone. He spins a Latin vibe through the majority of Straight Ahead, most clearly manifested on the Thomas Marriott original "Cathlamet" and Lee Morgan's "Totem Pole."
Caliman achieves a grand after-hours milieu on the ballads "You Leave Me Breathless" and "Lush Life." Caliman's quintet is responsive to his needs and he returns the favor by sharing his solo space with Marriott and pianist Eric Verlinde. Caliman is one of those rare gems put in a safe place and forgotten about until rediscovery, leading to the hope of hearing more from this fine saxophonist.
Track Listing: Cigar Eddie; Rapture; You Leave Me Breathless; Cathlamet; Blues for PT;
Lush Life; Totem Pole; The Night Has a Thousand Eyes.
Personnel: Hadley Caliman: tenor saxophone; Thomas Marriott: trumpet; Eric
Verlinde: piano; Phil Parks: bass; Matt Jorgensen: drums.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.