A: Jazz to me was one of the most inviting, liberating, exciting, and interesting styles of music. The liberty in communication, the depth, dimension, and musical dialogue that is possible within the jazz idiom and sensibility for me is the most attractive of all musical styles. It is a musical world that allows the complete, honest, and sincere discovery of yourself as an artist and person, and its ever-evolving personality and character are the driving force that fuels every artistic creation!
Q: Where do you think jazz is headed?
A: I think jazz is simply moving forward. For some people it may be a good or bad thing. Jazz is constantly evolving, progressing, assimilating with it new traditions, cultures, sounds, forms of expression and delivery, and most of all, truly reflecting the state, emotions, and feelings of the society we have created for ourselves. To me, jazz is a concept, an approach, and a way of thinking. It has surpassed the boundaries of a musical style.
At some point in the near future Hristo will become a household name. When he does, remember you heard it here first.
I had heard of Harvey a few years ago when he started playing with Blaise Siwula, whom I have recorded with and have been together as a duo since 1996. My first encounter with Harvey was at the Cadence Jazz Festival. I was there with my trio and Harvey was there with a Blaise's trio. I recognized right away that Harvey was different. A few years later, Harvey started posting videos. His subtle and tasteful sense of harmony and voicings are all his own, which can be heard on his self-produced CD, Roundabout. Don't get me wrong, he can dig in a play hard too, but Harvey knows where and when to do it.
Q: How long have you played the guitar?
A: 27 years and it still feels like a brand new thing.
A: I've always been fascinated by the intense interactions that happen between the players. Though there are many different styles within jazz, they all share an emphasis on a unified sound that is created by the spontaneous interaction of the players. That is the great challenge of jazz, to find a unified sound that is comprised of the spontaneous musical interaction of all the players. I find it really exciting to listen to the choices that players make in response to one another, the material itself, the audience, and their own internal musical spirit. The journey of learning and performing on my instrument with an emphasis on improvisation pushes me to discover new sounds, approaches to playing, and to listening.
Q: Where do you think jazz is headed?
A: Musicians from all over the world are doing all kinds of things with improvisation and composition. Improvisation is strongly associated with jazz but it exists in so many other types of music around the world. One thing that is exciting is seeing musicians expand their own ideas of what improvisation can be as a result of exposure to other types of music. Another exciting angle that's been happening is moving beyond the "tune." Musicians are taking ideas from long form compositional styles and are really pushing the boundaries on what kind of material can serve as the composed section of a piece. It's not just about the head and the solos anymore. For some purists, this brings up the debate of what jazz is or should be. But, I'm not concerned with that at all. Music is much bigger than tradition or genre. The more we can leave our comfort zones and learn from one another, the more we can collectively move jazz forward.
I couldn't have said it better. Harvey is one of a kind.
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