Jim Stewart founded Satellite Records in 1957 and was joined by his sister Estelle Axton a year later, changing the label name to Stax (from the morpheme formed by Jim STewart and Estelle AXton) in 1961. Between 1961 and the label's agonizing demise in 1976, Stax released Southern soul classics that included the singles "Soul Man by Sam & Dave, "Dock of the Bay by Otis Redding, "Green Onions by Booker T & the MGs, and an embarrassment of musical riches beyond that. The label began with the release of Carla Thomas' "Gee Whiz and ended with Shirley Brown's "Woman to Woman. At any rate, that is the Readers Digest version.
It is difficult to discuss Stax without widening that discussion to give greater attention to Booker T. & the MGs. BT&MGs acted as both a discreet act and as the house band for the label. Along with the Mar-Keys, the group provided support for almost every act to pass through Memphis. It is impossible to speak of "The Memphis Sound and not acknowledge BT&MGs. The band basically defined the sound of Southern Soul and deserves to serve as the chairmen of the board of house bands that would rightfully included the Muscle Shoals Rhythm Section and Motown's Funk Brothers.
The Stax 50th Anniversary Celebration serves the listener as a perfect, cost-effective introduction to the Stax-Volt sound of the 1960s and '70s. It is one of the best conceived compilations and serves as a solid testament of Memphis' importance to American Popular Music.
Track Listing: CD1: Carla Thomas: Gee Whiz (Look At His Eyes); The Mar-Keys: Last Night; William Bell: You Don't Miss Your Water; Booker T. & The MGs: Green Onions; Rufus Thomas: Walking The Dog; Otis Redding: I've Been Loving You Too Long (To Stop Now;) The Astors: Candy; Otis Redding: Respect; Sam & Dave: You Don't Know Like I Know; The Mad Lads: I Want Someone; Sam & Dave: Hold On I'm Cominí; Carla Thomas: Let Me Be Good To You; Mable John: Your Good Thing (Is About To End); Eddie Floyd: Knock On Wood; Carla Thomas: B-A-B-Y; Otis & Carla: Tramp; The Bar-Keys: Soul Finger; Albert Kin: Born Under A Bad Sign; Sam & Dave: Soul Man; Otis Redding: (Sittin' On) The Dock Of The Bay; Ollie & The Nightingales: I Got A Sure Thing; Booker T. & The MGs: Soul Limbo; Eddie Floyd: I've Never Found A Girl (To Love Me Like You Do); Linda Lyndell: What A Man; William Bell & Judy Clay: Private Number; Johnnie Taylor: Who's Making Love; William Bell: I Forgot To Be Your Lover; Carla Thomas: I Like What You're Doing (To Me). CD2: Booker T. & The MGs: Time Is Tight; The Emotions: So I Can Love You; Isaac Hayes: Walk On By; Rufus Thomas: Do The Funky Chicken; Johnnie Taylor: Jody's Got Your Girl And Gone; Jean Knight: Mr. Big Stuff Isaac Hayes: Never Can Say Goodbye; The Dramatics: Whatcha See Is Whatcha Get; The Staple Singers: Respect Yourself; Isaac Hayes: Theme From Shaft; The Bar-Kays: Son Of Shaft; Little Milton: That's What Love Will Make You Do; Frederick Knight: I've Been Lonely For So Long; Soul Children: Hearsay; The Dramatics: In The Rain; The Staple Singers: Iíll Take You There; Mel & Tim Starting: Starting All Over Again; The Temprees: Dedicated To The One I Love; The Staple Singers: If Youíre Ready (Come Go With Me); Johnnie Taylor: Cheaper To Keep Her; Soul Children: I'll Be The Other Woman; Shirley Brown: Woman To Woman.
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.