On his fourth outing as a leader, David Berkman displays commanding compositional capabilities. While Berkman’s earlier ensemble efforts have earned him considerable credit for his writing, this pared down quartet date, with saxophonist Dick Oatts, bassist Ugonna Okegwo and drummer Nasheet Waits, should bring him comparable commendation as an exceptional pianist and improvisor with a personal style marked by intelligence and restraint. These qualities, together with an assiduous avoidance of hackneyed structural strategies, have driven him to create music that is remarkable in the wide range of human feelings it expresses.
Berkman’s background as an author of fiction informs his songwriting. Most of the selections on the appropriately titled Start Here... Finish There can be described as narrative progressions, eschewing the familiar AABA construction commonly utilized by jazz composers. The opening “Cells” is developed from a simple three-note soprano sax figure that steadily grows in complexity. “Triceratops” starts as an intricate staccato line before changing into a funky Ornettish blues, featuring Oatts’ Dolphy-esque alto. “Iraq” begins with a meditative Okegwo-Waits duet introducing a Middle Eastern motif initiated by the leader’s pensive piano and extended by Oatts searing soprano. The appealing “Stone’s Throw” is a pretty melody reflecting Berkman’s experience performing with Brazilian bands. “English As A Second Language” is an introspective improvised piano solo. Berkman’s “Penultimatum”, a harmonically complex construction driven by Waits’ propulsive percussion clearly indicates the influence of Wayne Shorter on the composer’s style. The lyrical ballad “Only Human” is a straight trio piece with a few odd twists thrown in towards the end. “Old Forks” pays tribute to Keith Jarrett’s Ornette Coleman-influenced compositional approach in the pianist’s American quartet, whereas the subsequent “Quilts” seems more affected by the pastoral impressionism of his ECM repertory. The date ends with a folkish solo piano reading of Woody Guthrie’s “There Are Mean Things Happening In The World Today” at times reminiscent of Abdullah Ibrahim. Berkman is a musician who would like to change the world. His challenging music certainly makes it a more interesting place to hear jazz.
Track Listing: 1. Cells - 5:34
2. Triceratops - 4:42
3. Iraq - 7:25
4. Stone's Throw - 6:31
5. English as a Second Language - 1:43
6. Penultimatum - 5:10
7. Only Human - 5:01
8. Old Forks - 4:57
9. Quilt - 5:33
10. Mean Things Happening in This World - 2:47
Personnel: Dick Oatts - Saxophone;
Nasheet Waits - Drums;
David Berkman - Piano;
Ugonna Okegwo - Bass.
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.