147

T.J. Graham & Rory Stuart: Standards & Insights

Derek Taylor By

Sign in to view read count
T.J. Graham & Rory Stuart: Standards & Insights P>Creative improvised music remains a pursuit that largely doesn’t pay. It’s a reality that all musicians in the idiom must face and the necessity of a day job goes with the territory. In vocalist T.J. Graham’s case it’s college professor for financial sustenance and jazz improviser for creative release. Her debut on CIMP suggests significant facility in the latter role coupled with an unadorned honesty that suffuses her inflection and delivery. Teaming in a simpatico partnership with guitarist Rory Stuart she also evidences a courageous willingness to put her talents up to the aural microscope of scrutiny that characterizes the CIMP approach to recorded sound. Fortunately the particulars of both her voice and Stuart’s lightly amplified strings stand up to the challenge of the denuded surroundings.



The pair succeeds through a combination of close listening and careful planning. Ample rehearsals and a hand-picked songbook of standards both familiar and obscure translate into a relaxed atmosphere in front of the microphones Add to this the relative brevity of the chosen piece and most of the chaff is removed, leaving concise sketches that float in space like gilded tone poems. Stuart’s lilting chords support Graham’s pillow-soft verses on tracks like “Thanks for the Memories” and “Secret Love.” Other tunes like “Stompin’ at the Savoy,” suggest the duo’s more playful side as Stuart’s bouncing strums bookend Graham’s sassy oration of the classic swing anthem. Tempering these successes are moments where the singer dips perhaps too heavily into a romantic side of things and errs on the side of cloying sentimentality. But even these foibles are the province of preference and her consistency over the session’s lengthy duration is difficult to slight.



Vocal projects remain a rarity at CIMP- a label too often pigeonholed for its practices and preferences as documentation vehicle for free jazz. The reality is that producer Bob Rusch’s interests range far and wide. This date is proof positive of both his eclectic tastes and knack for finding talent worthy of recognition in all regions of improvised music. If this disc finds it’s way into the right hands Graham’s gig in academia may become moot.



CIMP discs are available directly through North Country Distributors: http://www.cadencebuilding.com


Title: Standards & Insights | Year Released: 2002 | Record Label: CIMP Records


Tags

comments powered by Disqus

More Articles

Read BACHanalia CD/LP/Track Review BACHanalia
by Jack Bowers
Published: June 24, 2017
Read Hallways CD/LP/Track Review Hallways
by Paul Rauch
Published: June 24, 2017
Read The Crave CD/LP/Track Review The Crave
by John Sharpe
Published: June 24, 2017
Read Chase The Light (Excursions in Soul, Reggae, Funk, and Dub) CD/LP/Track Review Chase The Light (Excursions in Soul, Reggae, Funk, and Dub)
by Joe Gatto
Published: June 24, 2017
Read Kickin' Child - The Lost Album 1965 CD/LP/Track Review Kickin' Child - The Lost Album 1965
by Doug Collette
Published: June 24, 2017
Read Towards Language CD/LP/Track Review Towards Language
by John Eyles
Published: June 23, 2017
Read "Endemic Ensemble: Tangled" CD/LP/Track Review Endemic Ensemble: Tangled
by Paul Rauch
Published: December 3, 2016
Read "Sizzle" CD/LP/Track Review Sizzle
by Geannine Reid
Published: October 10, 2016
Read "Akua's Dance" CD/LP/Track Review Akua's Dance
by Hrayr Attarian
Published: April 19, 2017
Read "Binary" CD/LP/Track Review Binary
by John Sharpe
Published: January 21, 2017
Read "R Train On The D Line" CD/LP/Track Review R Train On The D Line
by Mark Corroto
Published: July 22, 2016
Read "Picking Order" CD/LP/Track Review Picking Order
by Glenn Astarita
Published: November 17, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.