A 10-time Grammy winner, Bobby McFerrin's undeniable gifted voice has not only inspired audiences with its unique qualities but also imbued his spiritual roots as found in songs throughout his discography such as the colorful Garden of Eden expression, "The Garden" from 2010's VOCAbuLarieS (EmArcy) or the unique scriptural vocal rendition of "The 23rd Psalm" from his 1990 release Medicine Music (EMI).
Inspired by the music of his upbringing and his father Robert McFerrin Sr.an operatic baritone and the first African-American man to sing at the Metropolitan Opera in New York CitySpirityouall is Bobby McFerrin's first release dedicated to spiritual music. It comes with the singer/composer's usual distinctive touches and surprises with a talented studio band performing infectious and familiar songs that combine roots music: jazz, bluegrass and folk music, and some help from singer/bassist Esperanza Spalding on a number of tracks.
One of the many highlights is the touching cover of The Band's 1968 song "I Shall Be Released" written by the iconic singer/songwriter Bob Dylan. The connection becomes clearer why McFerrin included this well recorded jewel, one which was influenced by gospel music whose lyrics tell of a prison inmate who reflects on his sentence and the longing anticipation of his release in the following lyrics:
They say everything can be replaced Yet every distance is not near So I remember every face Of every man who put me here I see my light come shining From the west unto the east Any day now, any day now I shall be released
McFerrin takes Dylan's insightful piece and tenderly transforms it into a moving reflection of tranquility and faith in spite of the dire setting of the lyrics. His masterful voice is soothing and purposed, carried on a cloud of harmonious background voices and the elongated notes of a pedal guitar. The message is universalregardless of the type of imprisonment, whether physical or mental, the uplifting sentiment speaks to the idea of hope and release.
Track Listing: Everytime; Swing Low; Joshua; Fix Me Jesus; Woe; I Shall Be Released;
Whole World; Gracious; 25:15; Wade; Glory; Jesus Makes It Good;
Personnel: Bobby McFerrin: vocals; Esperanza Spalding: bass, vocals (1, 2, 7, 11,
13); Larry Campbell: guitars; Gil Goldstein: keyboards; Charley Drayton: drums (1, 2, 7, 11, 13); Ali Jackson: drums (3, 4, 5, 6, 8, 9, 10, 12, 13); Larry Grenadier: bass (3, 4, 5, 6, 8, 10, 12).
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.