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I wish my friend Bill Swanson were alive to hear this. Bill loved the trombone, and would have greatly admired this picturesque performance by Slide Hampton’s World of Trombones in concert at the Manchester Craftsmen’s Guild in Pittsburgh. This is wall-to-wall ‘bones, as Slide leads a dozen of the country’s finest through their paces and welcomes guest soloist Bill Watrous on Ray Noble’s “Cherokee,” Billy Strayhorn’s “A Flower Is a Lovesome Thing” and his own “Blues for Eric.”
Hampton, who turned seventy last year, is not only a marvelous player himself but knows how to bring out the best in a king-size section with diaphanous charts that accentuate the range and natural beauty of the horns and also swing. Slide scored the first seven numbers and “Blues for Eric” with the other arrangements by Todd Bashare (Herbie Hancock’s “Dolphin Dance”), bass trombonist Max Siegel (“Walkin’-N-Rhythm”) and David Gibson (his own composition, "Maya").
As a reward for their earnestness and artistry, everyone in the ensemble is given blowing space (and makes the most of it) on the breakneck finale, “Blues for Eric.” Hampton is featured on J.J. Johnson’s “Lament” and the ensemble’s tribute to Charlie Parker, “April in Paris,” and engages in horn-to-horn combat with Watrous on “Cherokee” and old hand Benny Powell on “Basin Street Blues.” Watrous, a master at using the horn’s upper register, is a triple-tongueing monster on “Cherokee,” an ardent romantic on “Flower.” He and the other ‘bones are supported by a supple rhythm section comprised of Willis, guitarist Marty Ashby, bassist John Lee and drummer Victor Jones.
More than two decades after its first album (on which Slide used eight horns and rhythm), the World of Trombones has made a triumphant reappearance, as luminous and entrancing as ever. Let’s hope it won’t be another twenty years or more before Slide’s World collides again with ours.
Contact: Manchester Craftsmen’s Guild, 1815 Metropolitan St., Pittsburgh, PA 15233. Phone 412-322-1773, ext. 140; web site, www.mcgjazz.org
Track Listing: Cherokee; All in Love Is Fair; A Flower Is a Lovesome Thing; Tribute Suite --
Lament / Basin Street Blues, April in Paris, Lester Leaps In, Moment
Personnel: Slide Hampton, leader, trombone; Jay Ashby, Michael Boschen, Steve Davis, Hugh
Fraser, David Gibson, Andre Hayward, Benny Powell, Isaac Smith, trombone; Tim
Newman, Douglas Purviance, Max Seigel, David Taylor, bass trombone; Marty
Ashby, guitar, banjo; Larry Willis, piano; John Lee, bass; Victor Jones, drums.
Special guest soloist -- Bill Watrous (1, 3. 11).
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com