I wish my friend Bill Swanson were alive to hear this. Bill loved the trombone, and would have greatly admired this picturesque performance by Slide Hampton’s World of Trombones in concert at the Manchester Craftsmen’s Guild in Pittsburgh. This is wall-to-wall ‘bones, as Slide leads a dozen of the country’s finest through their paces and welcomes guest soloist Bill Watrous on Ray Noble’s “Cherokee,” Billy Strayhorn’s “A Flower Is a Lovesome Thing” and his own “Blues for Eric.”
Hampton, who turned seventy last year, is not only a marvelous player himself but knows how to bring out the best in a king-size section with diaphanous charts that accentuate the range and natural beauty of the horns and also swing. Slide scored the first seven numbers and “Blues for Eric” with the other arrangements by Todd Bashare (Herbie Hancock’s “Dolphin Dance”), bass trombonist Max Siegel (“Walkin’-N-Rhythm”) and David Gibson (his own composition, "Maya").
As a reward for their earnestness and artistry, everyone in the ensemble is given blowing space (and makes the most of it) on the breakneck finale, “Blues for Eric.” Hampton is featured on J.J. Johnson’s “Lament” and the ensemble’s tribute to Charlie Parker, “April in Paris,” and engages in horn-to-horn combat with Watrous on “Cherokee” and old hand Benny Powell on “Basin Street Blues.” Watrous, a master at using the horn’s upper register, is a triple-tongueing monster on “Cherokee,” an ardent romantic on “Flower.” He and the other ‘bones are supported by a supple rhythm section comprised of Willis, guitarist Marty Ashby, bassist John Lee and drummer Victor Jones.
More than two decades after its first album (on which Slide used eight horns and rhythm), the World of Trombones has made a triumphant reappearance, as luminous and entrancing as ever. Let’s hope it won’t be another twenty years or more before Slide’s World collides again with ours.
Contact: Manchester Craftsmen’s Guild, 1815 Metropolitan St., Pittsburgh, PA 15233. Phone 412-322-1773, ext. 140; web site, www.mcgjazz.org
Track Listing: Cherokee; All in Love Is Fair; A Flower Is a Lovesome Thing; Tribute Suite --
Lament / Basin Street Blues, April in Paris, Lester Leaps In, Moment
Personnel: Slide Hampton, leader, trombone; Jay Ashby, Michael Boschen, Steve Davis, Hugh
Fraser, David Gibson, Andre Hayward, Benny Powell, Isaac Smith, trombone; Tim
Newman, Douglas Purviance, Max Seigel, David Taylor, bass trombone; Marty
Ashby, guitar, banjo; Larry Willis, piano; John Lee, bass; Victor Jones, drums.
Special guest soloist -- Bill Watrous (1, 3. 11).
I was first exposed to jazz when I was tiny. My earliest memory is watching Ella Fitzgerald scat on a Christmas special when I was no older than four. Like many who are from tiny towns, my first extended exposure was listening to the high school jazz band when I was a kid
I was first exposed to jazz when I was tiny. My earliest memory is watching Ella Fitzgerald scat on a Christmas special when I was no older than four. Like many who are from tiny towns, my first extended exposure was listening to the high school jazz band when I was a kid. For some reason I remember an arrangement of Hey Jude they did. My first real exposure was Stan Kenton in the Smithville, MO high school gym. Kenton and the band director there were old friends, so he would play there from time to time. My dad took me without telling me where we were going and it was the only show he ever took me to. I remember that Bobby Shew played Send In Clowns and I damn near levitated I was so excited. The huge sound and amazing chords floored me. I believe I was 13 at the time. I immediately started practicing and taking lessons. Music became a passion and nearly a career. I also listened to Dick Wright's Jazz Show on KANU every night. I can't even start to explain what I learned lying in bed listening to Dick talk about jazz. I met him once when I was struggling to put together a solo for Joy Spring playing in a combo at KU. Stopped by his office and asked for recommendations. He showed up at my jazz ensemble rehearsal the next day with a tape with example solos. What a kind man Dick Wright was.
My advice to new listeners is to stop worrying about what music is important and focus on music you like. I spent quite a bit of my music life listening to important music I didn't necessarily like. Must say I have quite a bit more fun now listening to music that I deeply enjoy. Some of it is even important.
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