After reading Stanley Cowell’s acclamatory liner notes to Spirit Child, I was prepared to embrace the second coming of Sarah, Billie, Ella and Carmen in one glorious package. Lenora Zenzalai (“Zen–zay–lay,” Zulu for “spirit child”) Helm is a talented young singer who certainly shows promise, but no one could live up to the kind of advance praise that is showered upon her. I suppose I should have listened first, read later. Writers who are being paid by the compliment can sometimes get carried away and oversell the product. That seems to be the case here, although Helm does her best to ratify Cowell’s lavish endorsement. Truth is, she reminds me more of pop/Jazz singers like Diana Ross or Nancy Wilson than those legends whose names were mentioned earlier. Not that there’s anything wrong with that; it’s simply a more realistic appraisal of where she stands musically. Helm has adequate tools with which to work including an adaptable mid–range voice and decent if not flawless enunciation. While she doesn’t hesitate to take chances with a lyric or modify a rhythmic pattern, not everything she tries is persuasive. Helm’s approach to the standards (“My Favorite Things,” “More Than You Know,” “Summertime”), always a reliable yardstick by which to measure a singer’s growth, is earnest but unmemorable. She’s also weighed down by a number of mediocre songs (some of them hers) and uninspiring arrangements (ditto), and her big–name guests (Marsalis, Brown, Liebman, Hart, Smith, Carter and so on) aren’t given much to do (although Hart offers some respectable ad–libs on “The Life That You Live” and Brown proves an able accompanist/soloist on “More Than You Know”). Helm wrote lyrics to two songs by Wayne Shorter (“Miyako,” “Footprints”) and renamed them “Spirit Child” and “Ode to a Soulmate.” She needn’t have bothered. To sum up — if there’s a word that seems to describe best Helm’s debut, that word is “promising.” That is to say, she does some things well but is not yet the creative colossus depicted in the liner notes. Perhaps one day she will be.
Track listing: Keep Takin’ Me Higher; My Favorite Things; Summer Soft; The Life That You Live May Not Be Your Own; More Than You Know; Boomerang; Twisted; Single Petal of a Rose; ’Round Midnight; Spirit Child; Ode to a Soulmate; Summertime (71:05).
Track Listing: Keep Takin
Personnel: Lenora Zenzalai Helm- vocals; Orrin Evans- piano; Miriam Sullivan- acoustic bass; Nasheet Waits- drums; Kahlil Kwame Bell- percussion; Donald Brown- piano on "Summer Soft" and "More Than You Know"; Mark Gross- soprano saxophone; Abraham Burton- tenor saxophone on "My Favorite Things," "The Life That You Live May Not Be Your Own" and "Boomerang"; Ron Carter- acoustic bass on "Twisted"; Antonio Hart- alto saxophone on "The Life That You Live May Not Be Your Own"; Dave Liebman- soprano saxophone on "Single Petal of a Rose" and "Footprints"; Branford Marsalis- tenor saxophone on "
I love jazz because transports me to another reality.
I was first exposed to jazz a concert on the lake many years ago.
I met many musicians at various international jazz festivals.
The best show I ever attended was Jazzascona in Suisse.
The first jazz record I bought was Miles Davis and John Coltrane.
My advice to new listeners is listen to music with an open mind.
Listen, think and share jazz everywhere.