Lyrically singing with his soprano sax, telling his story in an album dedicated to his departed father, Stephane Spira and his accomplice, pianist Giovanni Mirabassi
, embark on a dreamy and introspective road trip, soaked with melancholy. Spira's father was a colorful character and antiquarian with a mad passion for music, and Spirabassi
is imprinted with that character. Spira himself became a full-time jazz man not too many years ago, leaving a successful career in engineering. Mirabassi, playing since the age of three, is a self-taught pianist whose first significant jazz experience was accompanying Chet Baker
at the age of 17, when the trumpeter passed through Perugia for a concert. He studied by listening to artists including Bud Powell
, Bill Evans
, Kenny Barron
, Bach, Brahms, Charles Mingus
and, in particular, Enrico Pieranunzi
, who remains one of his strongest influences.
The journey begins with "21 Place Des Vosges," Spira's father antique shop address, with the duo demonstrating its lyrical capabilities. Spira sings with his soprano sax, dialoging with Mirabassi, who answers with colorful and romantic interludes. This is a perfect choice for the first track; a comprehensive and delightful representation of the entire set.
Following with "Twilight Song," rendered as a medium tempo ballad and connecting beautifully to the previous track, it's Kenny Barron
, the saxophone akin to a bird taking flight above the city, and the piano bringing it back to solid ground and setting the pace of life.
Other noteworthy tracks include "Alfonsina Y El Mar," written in remembrance of Alfonsina Storni , one of the most important Latin-American poets of the modernist period. Her death inspired Ariel Ramirez and Félix Luna to compose the Latin Jazz standard, "Alfonsina and the Sea," which has been performed by Mercedes Sosa, Nana Mouskouri and many others. The duo's rendition is right at home on this album. John Coltrane
's "Dear Lord" is the only track where Spira uses his alto saxhis primary instrument is sopranobeginning with a long and expressive solo that pays tribute to his jazz heroes. Both players maintain the romantic and melodic feel of the album. Spirabassi
ends appropriately with Edú Lobo's "Pra Dizer Adeus" ("Time to Say Goodbye"), reaching closure with his father's demise. This standard has been recorded by many a great name in jazz. A perfect ending to a CD that's more like a booka page-turner, in fact, where everything connects and flows, coming full circle to acceptance at the end.