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Here, bassist Drew Gress mans the helm to what is essentially, alto saxophonist Tim Berne's "Paraphrase" trio - plus pianist/composer Uri Caine. Spin and Drift signifies a symbiotic union of like-minded musicians, as Gress executes his booming, robust bass lines on buoyant pieces such as the opener, "Disappearing Act 1" and "Jet Precipice," where the quartet effortlessly engages themes constructed upon vacillating rhythms and intricately executed undercurrents. However, the musicians' often cheery, upbeat demeanor and gleaming approach to these altogether bustling pieces only enhances the overall production.
Throughout, Berne and Caine emit an abundance of hard-edged yet at times, melodically based solos as they intertwine free-bop style lines with forward thinking notions, although the band occasionally veers off the main course via a series of climactic passages and harmonious choruses. With "The Sledmouth Chronicles," Berne switches over to baritone sax for a work, brimming with rolling and tumbling overtures and extroverted group dialogue, while Gress and drummer Tom Rainey provide more than enough ammo for the soloists' no nonsense style interplay. Without further ado, Gress and co. deliver the goods in prominent fashion! Recommended.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.