One half of the Kolner Saxophone MafiaRoger Hanschel and Steffen Schorngrabbed my attention last year with the unique sound of Triosphere, where the two multiple reedmen teamed with guitarist Dirk Mudelein. Its invigorating mix of sounds made the disc one of the most interesting discoveries of '04. On Spaceplayer, Schorn and Hanschel join Wollie Kaiser and Joachim Ullrich in a woodwind quartet, the Kolner Saxophon Mafia, an expansion of the traditional saxophone quartet that features a full array of reed sounds. The resulting timbral weave twirls its cool textures over drifting momentum, orchestrally full at times, rich, with as much a classical feeling as a jazz sound.
Like Triosphere, the music on the Kolner Saxophon Mafia's Spaceplayer has an odd and foreign, yet still familiar feeling. It's rare to hear the full spectrum of reed sounds on one disc, and the resulting mix proves itself a captivatingly cool sonic stew, low and high woodwind sounds moving around each other in a fluid dance.
"Pluto's Secret" is cool, intospective, and ethereal, featuring Schorn's bass flute against a backdrop of dark wood reeds, brooding with a contained restlessness. "Alles Roger, Buck?" seems "jazzier," but like the rest of the set, its start to finish collaboration, swirling voices intertwining rather than playing in accompaniment/solo mode.
Seventy-seven minutes of beautifully intricate interplay begs for a lot of listening time to fully appreciate all of the nuanced interplay, and that's a lot of listening time well-spent. Another interesting discovery to chalk up for 2005.
Track Listing: The Adventures of Hasso Sigbjornson, Evas Flug, The Unwelcome Emotions of Replicant Pris, Schweine im Weltall, Klingonentraume, The Disappearance of Space and Time, The Loss of the Human Soul, Pluto's Secret, Alles Roger, Buck?, Last Picture of the Solaris, Letzten Donnerstag in der Zeitschleife, One Short forbidden Look Into Paradise
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.