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Norwegian pianist and live sampling master Kjetil Husebø continues to develop his highly personal sonic language on his sophomore solo release after last year's solo debut Contradictions (Optical Substance, 2012). Husebø explores the grand piano as a sound sourceacoustic or enhanced with live sampling and electronics. Both treatments of the piano sound organic even in its most abstract moments, and all blur the distinctions between jazz improvisation, contemporary music, acoustic ambiance, and electronic textures.
All ten pieces were performed, and improvised live at the studio with no overdubbing. The music was captured and mastered beautifully by sound engineer/drummer Audun Kleive and sound sculptor/guitarist Helge Sten.
The expanded sonic palette of the grand piano stress its timbral qualities and as a rhythmic instrument on the two versions of "Sources." The intertwining fractured rhythms are blended with fractured melodic lines, suggesting a tensed coexistence between these two completing sonic poles. On "Pledge" and "Panta Rei" the acoustic keyboard is secondary to the electronic disturbing sounds, punctuating the mysterious cinematic narrative on the former or add echoing marks to the enigmatic drone on the latter. "Ignorabimus" exposes the basic wooden ingredients of the grand musical instrument and its sonic characteristics in its most primitive form.
Husebø acoustic pieces, as "Transit" and the following "Festina lente," are lyrical and contemplative. Both unfold patiently and sketch dramatic stories. Only the short "Breather" is based on simple melodic theme, beautifully articulated by Husebø, using the full sonic spectrum of the grand piano and the studio space.
As on Contradictions, Husebø succeeds to redefine a new way of listening to the piano, a magnificent instrument with almost infinite sonic options, through a provocative and enigmatic journey.
Track Listing: Sources; Pledge; Transit; Festina lente; Breather; Digging up - part I;
digging up - part II; Sources - variation II; Ignorabimus; Panta Rei.
Personnel: Kjetil Husebø: Steinway model D piano; live sampling and electronics (1,
2, 6, 8, 9, 10).
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com