Wicklow records says Juan Carlos Formell's debut recording is solo (except for one or more guest appearances by guitarist Mark Whitfield). If so, he's either doing a lot of programming or he has more than two hands (and one voice). There's a rhythm section on most numbers, a vocal group on others, a muted trumpet on three, even a trombone on "La Vaquita," Of course, nowadays most of that can be sequenced (even the trombone and trumpet, I suppose), so it could be a "solo" album after all. I can't say with any degree of certainty. What I can do is describe the music I hear, which is, for lack of a better term, "laidback Cuban." It's lovely and charming, rhythmically appealing, but definitely lowkey and without much Jazz substance. Formell is a superb musician with an unimpeachable pedigreehe's the son of Juan Formell, founder of the Cuban superband Los Van Van, and grandson of Francisco Formell, former conductor of the Havana Philharmonic. Aside from some annoying scrapes with the pick, his guitar playing, situated in the classical Cuban tradition, is beyond reproach, while his cool, unruffled vocals diffidently beckon one's solicitude. As there are no liner notes with my advance copy of the disc, I can't say where Whitfield appears, but I've a hunch he may be there on "Mango Mangüey"and perhaps elsewhere. If you are partial to the music of Cuba, especially when it simmers instead of blazes, Songs from a Little Blue House should provide ample listening pleasure.
Track Listing: Agua Duice; Canto del Deltín; Flores; Agua Bendita; Pajarillo; Cuba Serà Libre; Palo de Guayaba; Siguraya; Cangrejo; La Vaquita; Boda en el Bosque; Mango Mangüey; Regreso de Jicotea.
Personnel: Juan Carlos Formell, guitar, vocals; Mark Whitfield, guitar.
The first jazz record I received
as a visiting gift from my
Japanese uncle at his
international division of
Toshiba EMI Tokyo was a
sample copy of Miles Davis'
Bitches Brew. A game
changer redirecting my
browsing habits and collection.