Belgian pianist/percussionist Chris Joris recorded these sessions with tubaist Bob Stewart and South African bassist Johnny (Mbizo) Dyani back in 1976. Sadly, Dyani passed away in 1988, while additional tracks emanating from 1991 sessions featuring Stewart and a conglomerate of European artists round out this effort.
Joris' knowledge and implementations of wide ranging rhythmic structures come to fruition on this gem of a release. Throughout these pieces, Joris performs on berimbau (including a lovely duet with Stewart), various percussion instruments, ethnocentric flutes, and piano. As a pianist the artist generally hits the right notes, or sweet spots via harmonically rich block chords and Bill Evans-ish right hand leads. However, his shrewd arrangements and clever integrations of sonorous horn parts with world groove percussion romps provide many of the highlights. The piece titled 'Dance of the Mulatos,' features Steve Houben's enchanting flute work coupled with the septet's budding undercurrents and breezy arrangements. Many of these works boast world beat rhythms of various flavors and colors, whereas Joris' compositions generally contain memorably melodic choruses amid a few stirring ballads and rousing opuses. Joris isn't that well known here in the states but has been garnering percussion-based awards over in Europe while fronting various ensembles. To a certain extent, Joris was ahead of his time and now's your chance to find out why. Passionately recommended.
Track Listing: 1.The White Side Of Black 2.Rivers 3.Lullaby For Ephraim 4.Panontigri (part 1: morning part 2: invitation part 3: village dance) 5.Song for Mbizo ? part one 6.Blowin? Your Bow To the Berimbob 7.Shaya Sebothane 8.Berimbau 9.Dance Of the Mulatos 10.Monody In A Moonlit Night 11.Song For Mbizo ? part 2 12. November 30th
Personnel: Chris Joris: piano & percussion ? Bob Stewart: tuba ? Johnny Dyani: bass ? Steve Houben: flute ? Frank Vaganee: alto sax ? John Ruocco: tenor sax ? Frans Van Der Hoeven: bass ? Dre? Pallemaerts: drums ? David Linx: vocals ? Michel Mast: tenor sax ? Julian Sebothane Bahula: percussion ? Cheikh Tidiane Fall: percussion, voice ? David Lee Schloss: tenor sax ? Christoph Erbstosser: piano
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz.
Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports.
It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!!
When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so jazzy. It's because I understand Blue Notes, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd.
I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students.
My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together!
Most of the people that I know today do not get jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it.
In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather.
I love John Kelman's articles. They are so insightful and well-constructed!
Thank you all for doing what you do.