6

Callum Au Big Band: Something's Coming

Bruce Lindsay By

Sign in to view read count
Callum Au Big Band: Something's Coming Trombonist and arranger Callum Au has amassed a remarkable wealth of experience, playing or arranging for, among others, the National Youth Jazz Orchestra, the Oxford University Big Band (he graduated from the university in 2011), Seth MacFarlane and Buddy Greco. He's a busy man—a list of his projects suggests that he's discovered the secret of the 30-hour day—and he's now found time to release his own debut, Something's Coming.

Au has brought together a group of talented young players, assisted by guest appearances from singers Emma Smith (also an ex-NYJO member) and Iain Mackenzie (BBC Big Band and Ronnie Scott's Jazz Orchestra), and from the well-established saxophonist Nigel Hitchcock and flautist Gareth Lockrane.

From the opening bars of Harry Warren's "September In The Rain" the band exudes warmth and confidence. It also swings, guitarist Jon Russell, bassist Laurence Ungless and drummer Ed Richardson establishing the feel with ease. Lockrane's "Roots" has a bluesy atmosphere—Hitchcock's high-energy alto and Russell's slick guitar solos fit right in. Trumpeter Freddie Gavita's "Beloved" is contrastingly gentler and more reflective and Au's own "Gentleman Jack"—dedicated to bass trombonist Jack Thirlwall—ends the album with a return to an upbeat swing.

The centerpiece is a suite from Leonard Bernstein's West Side Story. Some of the most recognizable and best-loved songs from one of the classic musicals, rearranged, re-harmonized and given something of a culture shift. Well, if Au's brave—or foolhardy—enough to stick his head over the musical parapet fair play to him. If the gamble fails, it fails. It doesn't fail.

A major contributing factor is Au's wise decision to avoid trying to make this British band sound like Sharks or Jets. "Cool" and "Something's Coming" capture the pace and energy of New York without the aggression. "America" lacks the fiery irony of the movie version and the bombast of the instrumental by '60s rockers The Nice, replacing them with a calmer, more positive, tone—everything really is OK in America.

Smith's beautiful vocal is the highlight of "Somewhere," but the song also benefits from exceptional solos by pianist Chris Eldred and Lockrane, on bass flute. Mackenzie's vocal on "Maria" is Mel Torme smooth. Best of all is "Tonight." The song's emotional intensity is held just a little more in check than usual, the two lovers are just a bit more controlled, almost as if West Side Story was based on the classic movie Brief Encounter (1945) rather than on Romeo and Juliet. This touch of English reticence gives the song an added poignancy, the doomed romance gaining even more pathos.

Something's Coming is, at its heart, a swinging big band album. It follows with irrefutable logic, therefore, that Au's ensemble is a swinging big band. That, in itself, would be a cause for celebration in these austere times, but Au makes it more than that, giving it a sense of dynamics, a feeling for the emotions and subtleties of the music as well as its swing. Something's Coming is something (very) good indeed.

Track Listing: September In The Rain; Roots; Something's Coming; Maria; Cool; Somewhere; America; Tonight; Beloved; Gentleman Jack.

Personnel: Callum Au: tenor trombone, euphonium; Lucas Dodd: alto saxophone, soprano saxophone; Jim Gold: alto saxophone, soprano saxophone; Simon Marsh: tenor saxophone, flute, clarinet; Tommy Laurence: tenor saxophone; Richard Shepherd: baritone saxophone, clarinet, bass clarinet; Tom Walsh: trumpet, flugelhorn; George Hogg: trumpet, flugelhorn; Freddie Gavita: trumpet, flugelhorn; Henry Armburg Jennings: trumpet, flugelhorn; Robbie Harvey: tenor trombone; Ross Anderson: trombone, bass trombone; Barry Clements: bass trombone, tuba; Jon Russell: guitar; Chris Eldred: piano, keyboards; Laurence Ungless: double bass, bass guitar; Ed Richardson: drums; Gareth Lockrane: flute, piccolo (2-8); Nigel Hitchcock: alto saxophone (2, 7, 8); Peter Long: tuba (1, 5, 7); Emma Smith: vocals (6, 8); Iain Mackenzie: vocals (4, 8).

Year Released: 2013 | Record Label: Self Produced


Related Video

Shop

More Articles

Read Overseas V CD/LP/Track Review Overseas V
by Karl Ackermann
Published: March 30, 2017
Read Behind The Mist CD/LP/Track Review Behind The Mist
by Bruce Lindsay
Published: March 30, 2017
Read Salão Brazil CD/LP/Track Review Salão Brazil
by John Sharpe
Published: March 30, 2017
Read Sedimental You CD/LP/Track Review Sedimental You
by John Sharpe
Published: March 30, 2017
Read Overseas V CD/LP/Track Review Overseas V
by Troy Collins
Published: March 30, 2017
Read Disappeared Behind the Sun CD/LP/Track Review Disappeared Behind the Sun
by Karl Ackermann
Published: March 29, 2017
Read "Z Octet" CD/LP/Track Review Z Octet
by C. Michael Bailey
Published: August 19, 2016
Read "Saturday Songs" CD/LP/Track Review Saturday Songs
by Jakob Baekgaard
Published: August 5, 2016
Read "Mortality" CD/LP/Track Review Mortality
by Glenn Astarita
Published: September 11, 2016
Read "All The Dreams" CD/LP/Track Review All The Dreams
by Dan Bilawsky
Published: September 12, 2016
Read "New Spring - Live At The Village Vanguard" CD/LP/Track Review New Spring - Live At The Village Vanguard
by Budd Kopman
Published: November 8, 2016
Read "Cantos Invisíveis" CD/LP/Track Review Cantos Invisíveis
by Troy Collins
Published: November 18, 2016

Post a comment

comments powered by Disqus

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!