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Greg Pasenko is a talented guitarist with an impressive resumé. There's no doubt about that. He also owns the Blujazz label, for which he records. So if he wants to sing as well as play, who's to say no?
Pasenko sings on all save two of the dozen selections on Something Old New Borrowed Blue, adds strings on a pair, a rhythm section (bassist Paul Martin, drummer Jack Mouse) on three others, violinist (and spouse) Diane Delin on a couple, tenor saxophonist Jim Massoth on "Do You Know What It Means to Miss New Orleans. The result is a decidedly mixed bag from which one is hard-pressed to derive a clear sense of purpose or continuity.
One of the stumbling blocks is that I would personally rather hear Pasenko play than sing. Others may disagree, but my overall impression is that the voice is nothing special, nor is the choice of materialand his efforts to get down like a blues singer are largely unconvincing. In other words, Pasenko will never be confused with Memphis Slim, Muddy Waters or Joe Williams. Even George Benson comes closer. He's more kindred in spirit to Bob Dorough, Mose Allisonor, to pluck a surprising name out of the hat, Jack Sheldon, another player who also sings.
The instrumental tracks ("Over the Rainbow, "My Romance ) are quite pleasing, but there are only two of them. Would that there were more. But hey, Pasenko's obviously having a good time, and as I said, it's his label, so he can do whatever pleases him. The question, of course, is whether it will please anyone else. Chances are it may, but the prospective listener should be advised that this is basically a vocal album with guitar, not the other way around.
Track Listing: Summertime; Embraceable You; Over the Rainbow; Little Wing; All Right, Okay, You Win; Fly Me to the Moon; Well You Neednít; My Romance; Whiter Shade of Pale; You Are the Sunshine of My Life; Do You Know What It Means to Miss New Orleans; Youíd Be So Nice to Come Home To (53:49).
Personnel: Greg Pasenko: guitar, vocals; Diane Delin: violin (5, 9); Jim Massoth: tenor saxophone (11);
Paul Martin: bass (5-7); Jack Mouse: drums (5-7); string quartet (4); string trio (9).
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.