This is by no means an ordinary trio. Totem> is comprised of guitarist Bruce Eisenbeil, bassist Tom Blancarte and drummer Andrew Drury, all three coming from the forward thinking, left-of-center scene of New York improvisers. But it's not only their sense of risk-taking and openness that differentiates Totem> from other trios, but their ability to formulate a new sonic language, not only by experimenting and broadening the timbral palette of their instruments but also by offering a clear and well articulated vision.
All four compositions were captured live, without edits and credited to each trio member. The three instrumentalists seem to dissolve into what we may think as conventional roles of guitar, bass and drums. Each can produce percussive sounds, stress the individuality of their instruments, accentuate rhythms and improvise on themes that they contribute. The sonic envelope of this trio is actually infinite, as it moves in a vertical manner and surges inside its loose contours, horizontally.
Such an attitude dictates dense and powerful soundscapes as the musicians seem to be all over their instruments, even in the sparest moments. But this density does not mean chaotic interplay. There is also a definite sense of urgent flow and pulse amid the jangled and thorny sounds that engulfs the pale contours of these sonic structures. Along the way the music blurs the lines between jazz and other genres, mainly experimental rockthe outcome often borders with low drones of metal endeavors but never loses its substantive core to ethereal sound wandering.
Such a nuanced and careful sonic experiment is offered on the open-ended and abstract "Austenized" and on the final track "Annealed," where snippets of metallic sounds keep pulsating in trio's unique slow burn. The opening track "Blooming Ore" and "Hephaestus Wrath" stress a more provocative rhythmic exploration of timbres.
Solar Forge is very impressive in its boldness, conviction and execution, but clearly not for the faint of heart.
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.