3

Avi Granite's Verse: Snow Umbrellas

Bruce Lindsay By

Sign in to view read count
Snow Umbrellas is guitarist/composer Avi Granite's third album as leader, as well as the debut from his New York quartet, Verse. Released on Granite's own Pet Mantis Records, the album features trumpeter Ralph Alessi, bassist Jerry Devore and drummer Owen Howard on a set of Granite's original compositions that range from the free, improvised feel of "Four for 4" and "Tricycle Dreams" to more danceable tunes, via one or two gentle and romantic numbers.

"Y Not" gets into its danceable groove after a short and pretty duet between Alessi and Granite, with a few excursions into brief, rockier, phases. "Charlie's Shorts" has a similar feel, centering on DeVore's funky bass line. Together, they're the album's most upbeat and immediate tunes. In the musical middle ground are tracks such as "Like John," which ambles cheerfully along, its easy-going ambiance at first hiding the skilful interplay between Granite and Alessi.

"Wayne Winks At The Radio" opens with Granite's solo guitar—a rare example of the guitarist grabbing the limelight—before he moves over to let Alessi's trumpet take the lead. "Mortetia" also ambles, but DeVore's loping, repetitive bass and Howard's skittering cymbals give its movement a more threatening edge.

"Barnacles" is a surprise. The title suggests something rough-edged—a bit hard to grasp—but this is the loveliest composition on the album: Alessi's mournful, muted trumpet floats over Granite's simple, repeated guitar phrase and DeVore and Howard's oddly affecting rhythms to create a graceful and romantic tune.

Given the obvious talents of the musicians it's rather surprising that Snow Umbrellas is a relatively subdued affair, with the quartet seldom moving beyond mid-tempo and never engaging in any real musical excesses. On the one hand, this means that the flow and mood of the music is fairly constant, lacking a little variation. On the other, there is never any sense that the players are letting displays of technical ability triumph over their musical sensibility.

The album is described in the press release as a "modern audio-film." It's an odd and not especially helpful description, but the music readily stands on its own. Snow Umbrellas contains plenty of intriguing ideas and adept musicianship—enough to make Granite's future projects worth watching for.

Tags

Related Video

comments powered by Disqus

Warning: mysql_fetch_object(): supplied argument is not a valid MySQL result resource in /home/websites/jazznearyou.com/www/html/templates/calendar/cal_related_cached.php on line 39

More Articles

Read The Attic CD/LP/Track Review The Attic
by John Sharpe
Published: July 24, 2017
Read Outside The Comfort Zone CD/LP/Track Review Outside The Comfort Zone
by Roger Farbey
Published: July 24, 2017
Read # 1 CD/LP/Track Review # 1
by Troy Dostert
Published: July 24, 2017
Read Tetrawind CD/LP/Track Review Tetrawind
by Geannine Reid
Published: July 24, 2017
Read Triplicate CD/LP/Track Review Triplicate
by Doug Collette
Published: July 24, 2017
Read Ballet: The Music Of Michael Gibbs CD/LP/Track Review Ballet: The Music Of Michael Gibbs
by C. Michael Bailey
Published: July 23, 2017
Read "Musical Journey Through Time" CD/LP/Track Review Musical Journey Through Time
by Roger Farbey
Published: June 29, 2017
Read "Of the Tree" CD/LP/Track Review Of the Tree
by Dave Wayne
Published: October 9, 2016
Read "Popofoni" CD/LP/Track Review Popofoni
by Duncan Heining
Published: May 3, 2017
Read "The Expensive Train Set" CD/LP/Track Review The Expensive Train Set
by Jack Bowers
Published: October 5, 2016
Read "Play Date" CD/LP/Track Review Play Date
by James Nadal
Published: October 27, 2016
Read "Subterranea" CD/LP/Track Review Subterranea
by Roger Farbey
Published: October 28, 2016

Support All About Jazz: MAKE A PURCHASE  

Support our sponsor

Upgrade Today!

Musician? Boost your visibility at All About Jazz and drive traffic to your website with our Premium Profile service.

Donate!