308

Steps/Mike Mainieri: Smokin' in the Pit/An American Diary: The Dreamings

David Adler By

Sign in to view read count
Steps/Mike Mainieri: Smokin' in the Pit/An American Diary: The Dreamings These two NYC Records releases document the musical evolution of label founder and vibraphonist Mike Mainieri. Smokin’ in the Pit, a reissue of a hard-to-find double live album by Mainieri’s jazz supergroup Steps, is stuck in its late 70s moment. It feels like cheap thrills compared to Mainieri’s most recent solo record, An American Diary: The Dreamings, which possesses a timeless quality and manages, despite its wild eclecticism, to tell a coherent and deeply personal story. This album, the second in a series, confirms Mainieri’s status as one of our most imaginative artists.

The playing on Smokin’ in the Pit is impressive, but some of the material is marred by a lack of subtlety and dynamics. Eddie Gomez’s bass is way too high in the mix and Steve Gadd’s drumming is rather stiff, especially on the swing tempos. Joe Henderson’s "Recordame," which was unavailable on LP, is given a weird, disco-like treatment. But newly added alternate takes of the two roof-raising sambas, "Fawlty Tenors" and "Not Ethiopia," showcase some fine playing all around. And fans of the late, great Don Grolnick will want this reissue if only for two previously unreleased Grolnick compositions, "Uncle Bob" and "Momento," the latter an unaccompanied piano solo. These are indeed worth the price of admission, as are Mainieri’s three delightful ballad features, "Lover Man," "Song to Seth," and "Soul Eyes."

The Dreamings is the work of a more refined Mike Mainieri. His principal players are saxophonist George Garzone, bassist Marc Johnson, and supple and swinging drummer Peter Erskine, who took over from Steve Gadd back when Steps became Steps Ahead. These four are joined by a circulating cast of guest musicians. Each track is a wholly new experience, distinguished by unexpected timbres and colors. Especially noteworthy are George Garzone’s clarinet on "One Night In Paradise," Erik Friedlander’s cello on "Planting Rice Is Never Fun," Simon Seven’s didjeradu on "The Dreamings," and Arto Tuncboyan’s sazabo on "Dear, My Friend (The Gift)."

Mainieri’s goal was to explore his musical upbringing in an American immigrant family, as well as his later experiences as a traveling musician. His first American Diary (NYC, 1995) included music by composers ranging from Aaron Copland to Frank Zappa. This diary entry crosses more exotic terrain: folk material from the Philippines and Yemen, as well as original pieces inspired by Australian aborigines, gypsies, and the Navajo and Apache tribes. Mainieri’s use of the term "American" is therefore expansive, and subtly provocative. But the session never comes across as stilted political correctness or aimless "world" music. It swings. And in so doing, it communicates with the listener in a way that is entirely genuine and unaffected.

Cyberhome: www.nycrecords.com

Steps, Smokin’ in the Pit Tracks, disc 1: 1. Tee Bag 2. Uncle Bob (prev. unreleased) 3. Fawlty Tenors 4. Lover Man 5. Fawlty tenors (alternate take) 6. Song to Seth 7. Momento (prev. unreleased).

Tracks, disc 2: 1. Young and Fine 2. Not Ethiopia 3. Soul Eyes 4. Recordame (prev. unreleased) 5. Not Ethiopia (alternate take) 6. Saras Touch.

Personnel: Smokin' in the Pit: Michael Brecker: tenor saxophone; Steve Gadd: drums; Eddie Gomez: bass; Don Grolnick: piano; Mike Mainieri: vibraphone; special guest: Kazumi Watanabe, guitar (CD2#2.

| Record Label: NYC Records | Style: Straight-ahead/Mainstream


Shop

CD/LP/Track Review
Interviews
CD/LP/Track Review
Read more articles
Pat Metheny Pat Metheny
guitar
Jaco Pastorius Jaco Pastorius
bass, electric
Chick Corea Chick Corea
piano
John Scofield John Scofield
guitar
Alphonse Mouzon Alphonse Mouzon
multi-instrumentalist
Bobby Hutcherson Bobby Hutcherson
vibraphone
Gary Burton Gary Burton
vibraphone
Spyro Gyra Spyro Gyra
band/orchestra
Dave Weckl Dave Weckl
drums
Terje Rypdal Terje Rypdal
guitar

More Articles

Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read The MUH Trio – Prague After Dark CD/LP/Track Review The MUH Trio – Prague After Dark
by C. Michael Bailey
Published: February 23, 2017
Read Les Deux Versants Se Regardent CD/LP/Track Review Les Deux Versants Se Regardent
by John Sharpe
Published: February 23, 2017
Read Molto Bene CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read "So Far So Close" CD/LP/Track Review So Far So Close
by Glenn Astarita
Published: March 22, 2016
Read "Makes My Heart Sway" CD/LP/Track Review Makes My Heart Sway
by C. Michael Bailey
Published: August 23, 2016
Read "Contrasts" CD/LP/Track Review Contrasts
by Dan McClenaghan
Published: August 30, 2016
Read "Never Group" CD/LP/Track Review Never Group
by Mark F. Turner
Published: March 23, 2016
Read "Harmonicus Rex" CD/LP/Track Review Harmonicus Rex
by Edward Blanco
Published: March 21, 2016
Read "When In Moscow" CD/LP/Track Review When In Moscow
by Mark Sullivan
Published: March 12, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!