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Gary Brunotte's piano trio provides a lovely session of lyrical ballads and gentle reflection on Smile, a tribute album dedicated to Dexter, the pianist's family pet who passed away at age fifteen. Judging from the album cover photo, he must surely have left behind pleasant memories and golden moments that remain frozen in time.
Ten originals and four standard tracks allow Brunotte to tell his story openly. From the blues of "Seal-Point Strut to the quaint bossa mood of "Triste, the session rises and falls with emotions bared and passion revealed. Kirsten Lambert adds lovely vocals on "Smile and "Triste that settle in gently to extend the album's caressing mood. Dexter adds a cat-vocal comment to close Brunotte's light "Meow Samba, a lively, up-tempo romp that dances on padded feet.
Ciao Meow simmers slowly and meaningfully with a lush piano trio texture all around, while "Samba Siamese drives with the energy of a kitten toying with some insignificant household item that harbors an interest for nobody else but him. For the most part, this recommended piano trio album waltzes generously to a balladeer's tune, bringing bassist Steve Haines and drummer Bill Berg alongside Brunotte for an excursion into the land where heart and soul take control. His Smile is as beautiful as a cherished and lasting friendship.
Track Listing: Ditty for the Kitty; Merry Old Land of Oz (Paws); Wood Lake; Smile; Seal-Point Strut; Meow Samba; In the Night; Morning Mist; Triste; Blue-Point Blues; Classicat; Samba Siamese; Ciao Meow; Smile.
Personnel: Gary Brunotte: piano, percussion, accordion, organ; Bill Berg: drums, percussion; Steve Haines, Rick Jones: bass; Kirsten Lambert: vocals.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...