All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Strangely enough, bandleader and bassist Moppa Elliott derived inspiration for his compositions on Slippery Rock from smooth jazz albums of the late 1970s and '80s. However, it's more like smooth jazz under siege; with resonating rhythms, scorching and wily horns choruses, the program offers subliminal detections of commercial jazz fare as the band often breaks into complex and peppery free form jaunts. MOPDtK acutely tears down most of the melodic content, only to reassemble it into fractured and largely improvised harmonic vamps. But part of the group's appeal lies within its youthful spirit and insanely hip spin on modern jazz.
"Sayre" musters an emphatic symbol of the musicians' playful ingenuity. With semblances of brawny, groove-based pop and a freewheeling gait, drummer Kevin Shea contrasts the horn players with sweeping rolls and darting accents as he seemingly disarms the underlying melodic hooks. He's a protagonist, and counters saxophonist Jon Irabagon's down and dirty solo. Customarily, MOPDtK flirts with the avant-garde spectrum during the bridge and spirals into parts unknown as well.
The quartet circles back around and redevelops the primary theme amid a tottering breakdown, with Irabagon rather bizarrely tossing in some Americana-like flute work for the coda. MOPDtK has gained a significant following for good reasons, decreeing the antithesis to modern mainstream post-kiddie bop malaise with a healing force that works like a charm.
Personnel: Peter Evans: trumpet, piccolo trumpet; Jon Irabagon: alto saxophone, sopranino saxophone; Moppa Elliott: double bass; Kevin Shea: drums.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.