Manhattan Transfer singers Janis Siegel and Cheryl Bentyne have been responsible for the most durable recordings in the Telarc Jazz warehouse. To date, Ms. Siegel has released or been included on five Telarc releases: Couldn't be Hotter (with the Manhattan Transfer), Got Swing (with Erich Kunzel and the Cincinnati Pops Orchestra), I Wish You Love , Friday Night Special , and now, Sketches of Broadway.
Departing from Tin Pan Alley and jazz standards, Ms. Siegel has prepared an excellent concept recording devoted to the songs of Broadway. These are well-known songs, to be sure, but they are not the war-horses that we have come accustomed to expecting from the jazz vocal community. Not that what Siegel is necessarily doing anything particularly novel. There are scores of jazz artists who have taken on this repertoire. The difference is that Siegel employs progressive arrangers and a no-fear attitude toward her interpretations. Case in point: the singer layers R & H's "The Surrey with the Fringe On Top" with Laura Nyro's "Stone Soul Picnic." Now that is a stretcha brilliant one.
Ms. Siegel combines "Out of My Dreams" from Oklahoma and "I Have Dreamed" from The King and I seamlessly with the aid of pianist Gil Goldstein, who channels the great Gil Evans in more ways than one. The singer rocks out on the Annie Get Your Gun selection "I've Got the Sun in the Morning (And the Moon at Night)," complete with the dirtiest guitar playing allowed in jazz by the axe-welding Romero Lubambo. Stefon Harris provides a decidedly understated solo against Lubambo's electric machinations. Stephen Sondhiem's "The Story of Lucy and Jesse" offers the most ingenious lyrics of the disc, expertly portrayed by the singer.
Another fabulous recording by Janis Siegel. I only hope for many more finely crafted recordings like this one.
Track Listing: Show Me from My Fair Lady; Sorry-Grateful from Company; It's a Woman's Prerogative from St. Louis Woman; The Story of Lucy and Jessie from Follies; Born Too Late from The Littlest Revue; Out of My Dreams from Oklahoma / I Have Dreamed from The King & I; I've Got the Sun in the Morning (And the Moon at Night) from Annie Get Your Gun; The Surrey With The Fringe On Top from Oklahoma / Stoned Soul Picnic It Never Was You from Knickerbocker Holiday; My Best Beau from Mame; 11. Make Someone Happy from Do-Re-Mi.
Personnel: Janis Siegel?Vocals; Gil Goldstein?acoustic piano, Fender Rhodes, accordion; Stefon Harris?vibraphone; Romero Lubambo?acoustic guitar, electric guitar; John Patitucci?acoustic bass, 6-string electric bass; Antonio Sanchez?drums.
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.