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While the tie between jazz and show tunes might be Tin Pan Alley in New York, the West Coast has been the inspiration for hipster song craftsmen. Singer Mark Winkler has made a recording of the quintessential Los Angeles composer Bobby Troup’s music, reviving much of the 1950s and '60s charm.
Like Diana Krall’s All Of You tribute to Nat King Cole, Winkler’s Sings Bobby Troup opens a capsule to a time when outward expressions of hipness fit hand-in-glove with splashes of jazz. Winkler joins singers like Krall, Mark Murphy, Kurt Elling, Mose Allison, and the great Dave Frishberg who are still waxing the poetic side of life. His ‘discovery’ of Troup’s music reminds us that Troup wrote the classic tunes “Route 66,” “You’re Looking At Me,” and “Baby, Baby All The Time.” These compositions, now in the great American songbook, belong to all of us and are part of our popular cultural experience.
Two bands provide the musical accompaniment: guitarist Anthony Wilson’s trio and pianist Jon Mayer’s group. While neither Mayer nor Wilson takes lengthy solos, their touch and inflection complete this project nicely.
Winkler’s background as a songwriter for Dianne Reeves, Nancy Wilson, and Liza Minelli manifest itself in his theatrical delivery. His hip is the pop-meets-Broadway kind. Perfect to enunciate the sometime cat-chasing-its-tail lyrics of Troup. Whether he is espousing the health benefits of a cocktail’s “Lemon Twist” or telling the hipster version of the “Three Bears,” Winkler remains in character. Sure, these tunes may set off your political correctness alert, but I’m sure they were meant to do the same thirty years ago when Tony Bennett covered “Girl Talk.” When he wasn’t writing the quirky, Troup wrote some beautiful show tune lyricsand Winkler covers these nicely.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...