Vocalist Halie Loren has never avoided love songs. Her spectacularly engaging Heart First (Justin Time, 2012) is actually full of them, but this program one-ups that album in the love department. Loren mixes and matches popular songs from a variety of sources and eras, throws in a few originals for good measure, and lets her warm and seductive voice work its magic on all of them during the easy-to-enjoy Simply Love
Loren has always been repertoire savvy, picking music that's familiar enough but fairly malleable. Her song selections are fairly conservative, populist even, but she often takes risks in the way she approaches them. "L-O-V-E," for example, is drained of its testosterone and given a buoyant facelift, "On The Sunny Side Of The Street" gets an upbeat, Jason Mraz-like reading with an emphasis on the upbeats, and "Happy Together" is refashioned with a slick-and-hip veneer. Elsewhere, she puts her multilingual talent(s) to good use, delivers winning originals, from the bossa-based "Cuando Bailamos" to the Jack Johnson-esque "Bare Feet," and gets right to the heart of the matter on numbers like "For Sentimental Reasons."
Pop-inflected jazz like this often gets ignored by American audiences and critics who view it as a resident in an artistic no man's land; it's too jazzy to appeal to the core pop constituency and of minor interest to a jazz community which seems to only respect the originators and those breaking new ground today. That's really a shame because Loren has something to say and her voice is as attractive and intoxicating as anything. She's something of a star in Japan, where her albums fly off the shelves, but American audiences have been slow to catch on; maybe this one will do the trick.
Track Listing: For Sentimental Reasons: Cuando Bailamos; L-O-V-E; On The Sunny Side Of The Street; I Feel The Earth Move; My Funny Valentine; I've Got To See You Again; Le Premier Bonheur Du Jour; Moon River; Bare Feet; Happy Together; Dream A Little Dream Of Me; Simply Love.
Personnel: Halie Loren: vocals; Matt Treder: piano, Rhodes piano, string arrangements; Mark Schneider: bass; Brian West: drums, percussion; Willian Seiji Marsh: guitar (1, 2, 4, 5, 10); Daniel Gallo: guitar (13); Sergei Teleshev: button accordion; Craig Chee: ukulele; Dale Bradley: cello (2, 7, 8); Dave Burham: violin (2, 7, 8); Lisa McWhorter: violin (2, 8); Clark Spencer: viola (2, 8).
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.