Italian poet Erika Dagnino runs a transatlantic- bilingual career. In Europe she works with avant-garde and free jazz musicians as Italian violinist Stefano Pastor. In the States she recorded with avant-garde composer and pianist Chris Brown and leads her own New-York based free jazz quartet comprised of reed player Ras Moshe, double bassist Ken Filiano and percussionist John Pietaro.
The setting of fiery free jazz fits the uncompromising temper of Dagnino's poetry and her bilingual delivery of lines, first in Italian, than reprised in English. As if only the intense and rough emotional turmoil of free jazz discourse and the musical flexibility of seasoned improvisers can envelope Dagnino's unsettling tales of fever, wounds and dry solitude. Her somber, almost militant reciting is part of the free-flowing musical texture, balancing the interplay, contributing to the suspense and leaving enough room for improvisations that add emotional depth to the suggestive spoken words.
Dagnino poems attempt to encompass momentary experiences of fleeting natural scenes, acknowledging its passing, the passing of time, of life. The chamber, free improvisation mirror these dark visions as both are sonic utterances of the moment. This bleak ambiance is best captured on "Terza Improvvisazione" and "Quinta Improvvisazione," with the recognition that: "Upward footprints of clouds. Downward wounded footprints...," abstracted with dissonant electronic sounds, fractured rhythms and tensed bowing on the double bass on the former, and a powerful, possessed performance on the latter by the quartet.
Dagnino poetry and music demand careful listening before the multifaceted images and sounds are grasped. Still this is a highly rewarding experience.
Track Listing: Preludio; Prima Improvvisazione; Seconda Improvvisazione; Terza
Improvvisazione; Quarta Improvvisazione; Intermezzo; Quinta
Improvvisazione; Improvvisazione Finale.
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.