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Like many of the independent jazz labels, the major-label Telarc is beginning to produce compilation discs culled from their considerable inventory of music. The immense popularity of the Now that's What I Call Music series in the pop music arena is hope to translate into the jazz arena. Compilations offer a number of pluses. Properly assembled, they provide the listener, novice or pro, a cross section of a catalog. The listener can then choose favorite genres and then explore them in greater detail. Of course, this is exactly what the record companies want the public to do. And that is not bad because it promotes jazz.
Telarc has release Signature Songs, a collection from their archives of songs that are firmly associated with some of jazz's brightest luminaries. George Shearing presents his "Lullaby of Birdland" from his Telarc release, That Shearing Sound (Telarc 83347). Dave Brubeck offers a live nine-minute "Take Five" from Double Live, Dave Brubeck from the USA and UK (Telarc 83400). Erroll Garner's "Misty is included from the Dreamstreet & One World Concert (Telarc 83340 ). Signature Songs also sports two previously unreleased songs, Cab Calloway's "Minnie the Moocher" with Eric Kunzel and the Cincinnati Pops and Ahmad Jamal's "Poinciana."
As far as compilations like this go, Signature Songs is effective. None of the pieces are the definitive performances. They all, however, give the listener a glimpse at the depth and breadth of jazz and for that reason are valuable.
Track Listing: George Shearing-- Lullaby of Birdland, Cab Calloway-- Minni the Moocher; Dave Brubeck-- Take Five; Dizzy Gillespie-- Con Alma; Ahmad Jamal-- Poinciana; Clark Terry-- Mumbles; Erroll Garner-- Misty; Lionel Hampton-- Flying Home; Liza Minnelli-- New York, New York. (Total Time: 73:53).
Personnel: George Shearing, Cab Calloway; Dave Brubeck; Dizzy Gillespie; Ahmad Jamal; Clark Terry; Erroll Garner; Lionel Hampton; Liza Minnelli.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.