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A vocalist of many vocals, Kate McGarry can change her tone and timbre at will, dictated by what the song requires. Compare the tight coquettish trill of "Show Me" with the alto elastic sexuality of "Gypsy in My Soul." Then compare that with the sleek, deep purr or "Moon and Sand." McGarry is quite handy at setting a mood with her tonal bag of tricks.
"The Thrill is Gone" is a Peggy Lee-Anita O'Day vamp sliding over Steve Cardenas' guitar and Karen Hammack's strolling piano. Perhaps the best song on the disc is "East of the Sun, West of the Moon." McGarry sings this over Scott Colley's capable bass and Kenny Wolleson's post bop drumming. She scats like a dream with out caricature.
is a serious debut and should be considered as such by listeners. McGarry's carefully crafted approach and dense professionalism offers a very welcome change from a great deal of jazz vocal outings heard this year. I hope to hear much more from her in the future.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.