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This one is pure indulgence. Sit back, get comfortable, and enjoy Short-Staffed at the Gene Pool. Ruby is the moniker adopted by vocalist Lesley Rankine (of grrl-power Silverfish fame) and producer Mark Walk (Pigface, Skinny Puppy). The duo offers pop vocals with a twist: steady insistence on the groove. Rather than sticking to a certain style, Ruby summons the total packagefrom straight-up rock to disco/lounge, from tricky funk to Latin grooves. Rankine, whose voice is seductively smooth, spans the range from throaty swing to crisp vocal percussion. Her approach is like rap soaked in honey: the chant and the saunter issue forth wrapped up in layers of twist and twirl. (Did someone say trip hop?)
The indulgence part comes from Ruby's self-conscious obsession with the hook. Pop needs its standard bearers, especially when it thumbs its nose at so-called "art." And Ruby does not fall short at all in the craft department. It's the kind of music one doesn't have to suffer to enjoyand I'll admit I enjoy the other kind, too. If you take a moment to absorb the lyrics, you'll discover some strikingly intense, honest, and visceral poetics. Ruby's words on the subject, from "Lamplight":
"If I bear my fruit, and invite the world to see If I bear my fruit, would you tear it from my tree..."
In this reviewer's opinion, Short-Staffed at the Gene Pool is ripe for the picking.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.