All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
This one is pure indulgence. Sit back, get comfortable, and enjoy Short-Staffed at the Gene Pool. Ruby is the moniker adopted by vocalist Lesley Rankine (of grrl-power Silverfish fame) and producer Mark Walk (Pigface, Skinny Puppy). The duo offers pop vocals with a twist: steady insistence on the groove. Rather than sticking to a certain style, Ruby summons the total packagefrom straight-up rock to disco/lounge, from tricky funk to Latin grooves. Rankine, whose voice is seductively smooth, spans the range from throaty swing to crisp vocal percussion. Her approach is like rap soaked in honey: the chant and the saunter issue forth wrapped up in layers of twist and twirl. (Did someone say trip hop?)
The indulgence part comes from Ruby's self-conscious obsession with the hook. Pop needs its standard bearers, especially when it thumbs its nose at so-called "art." And Ruby does not fall short at all in the craft department. It's the kind of music one doesn't have to suffer to enjoyand I'll admit I enjoy the other kind, too. If you take a moment to absorb the lyrics, you'll discover some strikingly intense, honest, and visceral poetics. Ruby's words on the subject, from "Lamplight":
"If I bear my fruit, and invite the world to see If I bear my fruit, would you tear it from my tree..."
In this reviewer's opinion, Short-Staffed at the Gene Pool is ripe for the picking.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.