423

Jeremy Pelt and Wired: Shock Value: Live at Smoke

C. Michael Bailey By

Sign in to view read count
Jeremy Pelt and Wired: Shock Value: Live at Smoke Imagine a sacred Shinto sand garden beautifully divided up into all of the genres of jazz, rock, and blues. Interconnections between the genres and subgenres are carefully documented, after having been fully researched and verified. Now visualize trumpeter Jeremy Pelt dragging his horn through this garden, marginally alongside a similar set of tracks left by Miles Davis thirty-five years ago. This provides a visual image of Jeremy Pelt and his band WiRED at their March 21-22, 2007 appearance at New York City's Smoke.



Pelt is one of the few trumpeters exploring Miles' post-In A Silent Way (Columbia, 1969) period, as opposed to the majority of leaders who have been content to mine the master's second great quartet period. In fact, Pelt and his band sound very much like Miles' transitional combo heard on Live at the Fillmore East (March 7, 1970): It's About That Time (Legacy, 2001), that featured Chick Corea, Dave Holland and Jack DeJohnette, except Pelt is way better behaved and more enjoyable to listen to.



The disc is comprised of Pelt originals, with one exception, all very different, all very compelling listening. The highlights are a lengthy blues where Pelt has no fear of playing his horn through a compression-wah pedal. Pelt's solos, along with guitarist Al Street, make this blues less about jazz and more about blues. It is a nice throw-back touch in a more forward-looking program of music.



Pelt follows the blues with the hypnotic "Suspicion, where the band solos over a very simple harmonic figure repeated over and over, recalling Miles lengthy electric funk excursions. Pelt shares composing duties with vocalist Becca Stevens, who provides lyrics to Pelt's "Cause. The musical effect is narcotic and the sound, performance and approach fresh. The ballad "Beyond, by Derek Nievergelt, shows Pelt more than capable of the straight-ahead. In all, a superb disc by a young artist.


Track Listing: Circular; Blues; Suspicion; Cause; Pythagorus; Beyond; Scorpio.

Personnel: Jeremy Pelt: trumpet, flugelhorn, effects; Frank LoCrasto: Fender Rhodes electric piano, Hammond B3 organ, effects; Gavin Fallow: double-bass, electric bass; Dana Hawkins: drums; Al Street: electric guitar; Becca Stevens: vocals (4).

Year Released: 2007 | Record Label: MAXJAZZ | Style: Fusion/Progressive Rock


Shop

More Articles

Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read Love Dance CD/LP/Track Review Love Dance
by Karl Ackermann
Published: February 20, 2017
Read Honest Woman CD/LP/Track Review Honest Woman
by James Nadal
Published: February 20, 2017
Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read "Proximity" CD/LP/Track Review Proximity
by Glenn Astarita
Published: August 30, 2016
Read "Ante Lucem for Symphony Orchestra and Jazz Quintet" CD/LP/Track Review Ante Lucem for Symphony Orchestra and Jazz Quintet
by Mark Sullivan
Published: September 3, 2016
Read "Zenith" CD/LP/Track Review Zenith
by Budd Kopman
Published: March 1, 2016
Read "True North" CD/LP/Track Review True North
by Dan Bilawsky
Published: March 10, 2016
Read "Chasing Shadows" CD/LP/Track Review Chasing Shadows
by Eyal Hareuveni
Published: July 8, 2016
Read "Live In The Black Forest" CD/LP/Track Review Live In The Black Forest
by Karl Ackermann
Published: May 9, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!