Blues/rock excitement oozes from Theresa Andersson’s latest album, Shine. Interpreting with a down-to-earth Nashville flavor complete with slide guitar, dobro and violin, the singer captures blues roots and surrounds them with pop backbeats.
While her singing is oftentimes drowned by louder instruments and background voices, Andersson maintains control. She sings of independence, serious relationships, courage, inner beauty, ambitious dreams, and enduring love. These are the things that make popular music popular. We can relate, and her music is surrounded by familiar material.
Loud drum backbeats, walls of guitar and keyboard harmony, thundering electric bass rides, and myriad background voices keep Andersson company. She puts her girl-next-door vocal interpretations to good use. The occasional electric violin solo, however, remains distant, serving an ornamental purpose. She adds an Americana flavor to several numbers through her violin’s contrasting voice.
The festive session works on our spirit. In a festival setting, with thousands of like-minded fans all around, the program would wrap our troubles in musical phrases and erase dour memories. The recording, turned up way loud, offers something tangible to hold on to when we’ve got trouble in mind.
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.