All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Canadian jazz musicians are frequently overlooked by American jazz fans unless they record for a US-based label, but ignore Andrew Rathbun at your own risk. There is a lot to like about Shadow Forms, as there are plenty of surprising twists within these intimate performances.
This talented multi-instrumentalist, primarily heard on tenor sax, also doubles on soprano sax, clarinet and keyboards during this studio session, where he is joined by bassist Scott Lee and drummer Jeff Hirshfield, with veteran George Garzone adding a second tenor on several tracks. Rathbun and Lee contribute five originals each, in addition to interpretations of works by two contemporaries. The full quartet is heard on a brisker than usual setting of Joe Lovano's "Street Talk that features both tenor players delivering turbocharged solos. Their light-hearted run through Kenny Wheeler's "Onmo is something that Rathbun played with its composer on an earlier CD, so he thought it was worth revisiting.
Among the trio numbers, Lee's "Drewsie (a fine tribute to reed player Billy Drewes) showcases Rathbun's whimsical clarinet and the composer's humorous arco bass line, while Rathbun switches to soprano for the subdued ballad "Herbie at Sixty. Rathbun overdubs a soft keyboard line behind his robust tenor in his tense "Elmo, which is actually named for the famous puppet on Sesame Street. This outstanding release remains fresh with each hearing, as new facets of these performances become apparent to the listener.
Track Listing: Street Talk:To the Matt; Scatter Scott; Drewsie; Pass It In; Herbie at Sixty; Ripple; This Fall 9/11; Elmo; Look Again; Fifteen Minute Drill; Onmo.
Personnel: Andrew Rathbun: tenor and soprano saxophone, clarinet, keyboards; George Garzone: tenor saxophone; Scott Lee: bass; Jeff Hirshfield: drums.
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com