London and Glasgow Improvisers Orchestra: Separately and together

John Eyles By

Sign in to view read count
Recorded at the 2007 Freedom of the City Festival, the album features the London Improvisers Orchestra and its Glasgow counterpart. (Guest performers are a fine tradition at FOTC.) The LIO did a set, then the GIO and then they played together. Given the number of musicians involved, and the absence of rehearsal, listeners will be surprised at the coherence and delicacy of much of the music here.

As is so often, the pieces mainly consist of "conductions" wherein one musician directs the orchestra, giving an overall form and structure to each piece—at least, that is the intention. So, Philipp Wachsmann's "On the point of influence" closes with a long restrained duo for violin and bass, while Ashley Wales' "Study for Oppy Wood" is an atmospheric tone poem.

In addition to such conductions, there are free improvisations by both ensembles. The LIO use improvisations as bridges between three of their conductions. The GIO—who use free improvisation more than conduction—include one long improvisation, "Big ideas, images and distorted facts" [and yes, that title is a Dylan quote, from "Idiot Wind."] The GIO argue strongly that large ensembles can freely improvise without degenerating into cacophony—"the cocktail party effect"; this piece provides compelling evidence that they are right.

On the improvisations, it is fascinating to hear how controlled the players are when given their freedom; far from producing a free-for-all, the improvisations are highly focussed, frequently achieving a poignant fragile beauty through collective negotiation. Indeed, it is ironic that in several conductions the conductor actively encourages a free-for-all—goading the beast rather than taming it—the complete opposite of the original intention of conduction. So, in "Hive Life," Alison Blunt's conduction, in addition to some music that (thrillingly) borders on anarchy, the string players are encouraged to use their voices, which they lustily do, at times sounding like a mutinous crew or an angry mob. It is only fair to add that this conduction also contains a prolonged section of subdued atmospheric playing from the saxophones; Blunt was clearly in control throughout! On "Too late, too late, it's ever so late," Terry Day incites anarchy to accompany his recitation on global warming.

The final three long conductions, on which the two orchestras combine, involve over forty players. This is a remarkable exercise in coherence considering the fact that this is a combined ensemble, of two separate orchestras with quite different sounds. Again, the overall restraint is commendable, but when the full power of all the players is occasionally unleashed the effects are awesome... made all the more awesome by the contrast with the more subdued passages. This is most starkly illustrated in "1 + 1 = Different," a joint conduction by Glaswegians Una MacGlone and Raymond MacDonald, in which a huge central crescendo is immediately followed by near silence... that then builds to another barnstorming climax.

The entire two discs are a powerful argument for the continuing appeal of large improvising ensembles and of free improvisation, here both thrilling and surprising in equal measures.

Track Listing: Impro Intro; On the Point of Influence; PW to AW; Study for Oppy Wood; AW to AB; Hive Life; Too late, too late, it's ever so late; Seven Sisters (for Barry Guy); Stagione; Big ideas, images and distorted facts; 811 Joint Response; 1 + 1 = Different; Outlaw.

Personnel: LIO: Harry Beckett, trumpet; Roland Ramanan, trumpet; Ian Smith, trumpet; Robert Jarvis, trombone; Catherine Pluygers, oboe; Terry Day, bamboo flutes; John Rangecroft, clarinet; Chefa Alonso, soprano saxophone; Lol Coxhill, soprano saxophone; Adrian Northover, soprano saxophone; Caroline Kraabel, alto saxophone; Evan Parker, tenor saxophone; Alison Blunt, violin; Susanna Ferrar, violin; Sylvia Hallett, violin; Philipp Wachsmann, violin; Ivor Kallin, violin, viola; Hannah Marshall, cello; Marcio Mattos, cello; Barbara Meyer, cello; Dominic Lash, double bass; David Leahy, double bass; John Bisset, electric guitar; Dave Tucker, electric guitar; Veryan Weston, piano; Jackie Walduck, vibraphone; Javier Carmona, percussion.
GIO: Aileen Campbell; voice; Matthew Cairns, trumpet; Robert Henderson, trumpet; George Murray, trombone; Emma Roche, flute; Matthew Studdert-Kennedy, flute; John Burgess, bass clarinet; Raymond MacDonald, alto saxophone; Graeme Wilson, baritone saxophone; Peter Nicholson, cello; Una MacGlone, double bass; Armin Sturm, double bass; George Burt, guitar; Neil Davidson, electric guitar; Chris Hladowski, bouzouki; Rick Bamford, percussion; Stuart Brown, percussion.

Title: Separately and together | Year Released: 2008 | Record Label: Emanem


comments powered by Disqus

More Articles

Read Whispers on the Wind CD/LP/Track Review Whispers on the Wind
by Jack Bowers
Published: October 23, 2017
Read Shropshire Lads: Songs to the Poems of AE Housman CD/LP/Track Review Shropshire Lads: Songs to the Poems of AE Housman
by C. Michael Bailey
Published: October 23, 2017
Read Heptagon CD/LP/Track Review Heptagon
by Glenn Astarita
Published: October 23, 2017
Read ON Tour CD/LP/Track Review ON Tour
by John Kelman
Published: October 22, 2017
Read On a Distant Shore CD/LP/Track Review On a Distant Shore
by C. Michael Bailey
Published: October 22, 2017
Read Friends & Heroes: Guitar Duets CD/LP/Track Review Friends & Heroes: Guitar Duets
by Roger Farbey
Published: October 22, 2017
Read "A Thing Called Joe" CD/LP/Track Review A Thing Called Joe
by Dan McClenaghan
Published: September 7, 2017
Read "More Figs And Blue Things" CD/LP/Track Review More Figs And Blue Things
by Dan Bilawsky
Published: December 3, 2016
Read "Any Other Way" CD/LP/Track Review Any Other Way
by Jakob Baekgaard
Published: October 16, 2017
Read "Resonance" CD/LP/Track Review Resonance
by Troy Dostert
Published: July 15, 2017
Read "Live Recitation" CD/LP/Track Review Live Recitation
by Jerome Wilson
Published: June 16, 2017
Read "Desire & Freedom" CD/LP/Track Review Desire & Freedom
by Glenn Astarita
Published: February 19, 2017

Sponsor: ECM Records | BUY IT!  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.