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Norway can claim credit for several excellent jazz artists, but they haven't gotten that much exposure in the U. S. Perhaps the best known are singers Karin Krog and Laila Dalseth, reed plays Jan Garbarek and Totti Bergh. Now comes pianist Einar Iversen and he's been a long time coming. Starting his professional career almost 50 years ago, he is known as the grand old man of jazz. Over the years he has worked with many American jazz men visiting Norway including Don Byas, Ben Webster and Dexter Gordon.
Working in a trio context, Iversen artfully wends his way through a program of pop and jazz standards and a few originals. Irrespective of origin, all are treated with utmost respect and thoughtfulness. Iversen‘s playing leans toward the relaxed lyricism of Bill Evans, although not as pensive. This association stays conspicuous throughout the session on such tunes as his own "Gea", a waltz like rendition evocative of Evans' "Waltz for Debby". His interpretation of the enduring "My Ship" sings as his fingers skate across the keyboard paying a lot of attention to simple melody rather than to complex chordal invention. Bassist Tine Asmundsen adds to the setting with an appealing long lined solo, in lieu of staccato plucking. She also contributes a soothing arco solo on "Hav og Himmel" ("Heaven and Sky").
Musical matters maintain a pretty even rhythmic keel throughout the entire session. Things get a bit spirited on John Coltrane's "Lazy Bird" in a swinging, rather than impressionistic mode, with a free wheeling interplay between piano and Svein Christiansen's drums. Iversen rarely engages in runs and arpeggios. One of the few instances is on a medium tempo "Stockholm Sweetnin'", Iversen sounding more like Oscar Peterson than Bill Evans. Iversen's first effort for the Seaview label is worth having on the shelf to be taken down when in the mood for willowy and compelling piano jazz. Visit the label's Intenet home at www.hazeljazz.com.
Track Listing: My Ship; My Shining Hour; Hav og Himmel; Childhood Memories; One for Helen; Lille Einars Vuggevise; Judith II; Ernie's Tune; Den Sista J
I love jazz because I enjoy the freedom.
I was first exposed to jazz when I was 17.
I met Cedar Walton at a concert in San Paulo.
The best show I ever attended was Helio Jambao trio.
The first jazz record I bought was Witchcraft by George Benson.
My advice to new listeners is listen to the old school first.