234

Oliver Nelson With Eric Dolphy: Screamin' the Blues

Samuel Chell By

Sign in to view read count
Oliver Nelson With Eric Dolphy: Screamin' the Blues Screamin' the Blues is an apt description of the soloists' approach on this 1960 session, here reissued as an RVG remaster, the first of three matching leader Oliver Nelson with avant-gardist Eric Dolphy. Although not as well-known as Nelson's masterpiece, Blues and the Abstract Truth (1961), the date is characterized, above all, by "generosity" on the part of all three principals, including the underrated trumpeter Richard Williams.

Nelson's tenor solo on the title tune is the equivalent of an operatic tenor aria—full-throated, dramatic, played to the back row. It alone is testimony to the remarkable player he was before putting the horn aside and arranging for everyone from Ringo Starr to Thelonious Monk to opera diva Rise Stevens. Add to these activities his film scores for Last Tango in Paris, Lady Sings the Blues, and Alfie, with a sound-track featuring Sonny Rollins, and you begin to wonder less at why he died so young than how he accomplished so much in his forty-three years.

On both tenor and alto Nelson favored a pure but powerful sound. His vibrato spins tightly and he's forward on the beat, but otherwise the decisiveness and absolute assurance with which he "sticks" every note is prime-time Dexter Gordon. Moreover, he thinks like a composer—constructing solos with a beginning, middle, and end, each musical narrative culminating in a majestic but hard-earned climax. As harmonically grounded as he is, no player is more averse to "running the changes"; in fact, Nelson incorporates the principle of tension and release practically to the extreme. He will repeat an identical phrase derived from a chord's "extension notes" to the point of discomfort before relinquishing it to the harmonic mainstream. Especially striking examples are his solos on "Perdido (Soul Battle, 1960) and "Mainstem (Mainstem, 1961).

Following the stentorian statements of Nelson's tenor and Williams' trumpet on the title tune, Dolphy's squawking bass clarinet sounds like an odd duck. But once moving to alto for "March On, March On" he reveals the aggressive technique and bold harmonies that caused Nelson, a harmonic experimenter and virtuoso player in his own right, to see in Dolphy an adventurous musical soul and kindred spirit, someone capable of pushing the leader to greater risks and potentially greater rewards.

Dolphy remains on alto for the next five tunes, frequently raising the bar for Nelson, whose musical-emotional rhetoric, fueled by Dolphy's range-busting top tones and volcanic technique, is not about to give an inch. After a particularly blistering solo by the guest alto player on the leader's "Alto-itis," Nelson starts his solo tenuously, as though planning his attack carefully before executing with breathtaking surgical precision, leaving the "screamin'" to the entire ensemble on the out chorus. Sounding no less eruptive than the Count Basie band—from the Wyands-Duvivier-Haynes power plant to the three explosive horns each impersonating an entire section—it's a fitting finale by musicians for whom feeling blue is an occasion for celebrating.


Track Listing: Screamin' the Blues; March On, March On; The Drive; The Meetin'; Three Seconds; Alto-itis.

Personnel: Oiver Nelson: tenor and alto saxophones; Eric Dolphy: alto saxophone and bass clarinet; Richard Williams: trumpet; Richard Wyands: piano; George Duvivier: bass; Roy Haynes: drums.

Year Released: 2006 | Record Label: Prestige Records | Style: Straight-ahead/Mainstream


Shop

More Articles

Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read Before The Silence CD/LP/Track Review Before The Silence
by John Sharpe
Published: February 24, 2017
Read Masters Legacy Series, Volume 1 CD/LP/Track Review Masters Legacy Series, Volume 1
by Edward Blanco
Published: February 24, 2017
Read Backlog CD/LP/Track Review Backlog
by Mark F. Turner
Published: February 24, 2017
Read Process And Reality CD/LP/Track Review Process And Reality
by Mark Corroto
Published: February 24, 2017
Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read "Breaking Point" CD/LP/Track Review Breaking Point
by Glenn Astarita
Published: June 10, 2016
Read "Sea Ahead" CD/LP/Track Review Sea Ahead
by James Nadal
Published: July 28, 2016
Read "Ghosts Appearing Through The Sound" CD/LP/Track Review Ghosts Appearing Through The Sound
by Tyran Grillo
Published: April 27, 2016
Read "Amorandom" CD/LP/Track Review Amorandom
by Roger Farbey
Published: March 3, 2016
Read "Forage" CD/LP/Track Review Forage
by Dan McClenaghan
Published: February 16, 2017
Read "Jassemblage" CD/LP/Track Review Jassemblage
by Chuck Koton
Published: June 18, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!