All About Jazz

Home » Articles » Live Reviews

2

Scott Feiner & Pandeiro Jazz: New York City, NY, December 01, 2012

Ernest Barteldes By

Sign in to view read count
Scott Feiner & Pandeiro Jazz
Zinc Bar
New York, NY
December 1, 2012

Rio de Janeiro-based, New York-born pandeiro master Scott Feiner constantly seeks different approaches for the genre he arguably created when he incorporated his instrument—a trademark of sambas and chorinho—into a more contemporary jazz format. Since the release of his debut, Pandeiro Jazz (Delira Musica, 2006), he has fronted drummer-less quartets (bass, guitar, saxophone) that explore alternate sonic textures with a Brazilian feel, but also defined by a unique vibe.

On his first visit to New York since 2010, Feiner changed his usual format by leading a trio rounded out by two Brazilian-born musicians—guitarist Guilherme Monteiro and keyboardist Vitor Gonçalves. The trio kicked off the set with the title track from Feiner's second album, Dois Mundos (Biscoito Fino, 2008), balancing classic samba grooves and hard-swinging jazz —swinging hard, thanks to Monteiro's dexterity and fresh Carioca approach to electric guitar. Gonçalves kept a tight backbeat, contributing a fluid solo halfway through the song.

Also from Dois Mundos, "Conde" followed, a great demonstration of the developing chemistry of these three musicians; with a smaller group, there was an opportunity to explore empty spaces for freer improvisation. Still unreleased original tunes like "O Forno" and "A View From Below" were fine examples of how Feiner has evolved as a composer. His years in Brazil (where he relocated over a decade ago) have clearly influenced his songwriting. Though now he is strictly a pandeirista, he still writes on guitar, the instrument on which he began his musical career -and it is evident the tropical breezes of his Botafogo neighborhood have touched his hands.

Feiner's Pandeiro Jazz project surprised at every turn. He could have, by now, just continued to play as he did when he started out, but instead he is constantly finding new grooves that keep his audience on its toes.

Tags

Related Video

comments powered by Disqus

Related Articles

Read Branford Marsalis and Jean-Willy Kunz at the Kimmel Center Live Reviews
Branford Marsalis and Jean-Willy Kunz at the Kimmel Center
by Victor L. Schermer
Published: February 18, 2018
Read Trish Clowes at Mermaid Arts Centre Live Reviews
Trish Clowes at Mermaid Arts Centre
by Ian Patterson
Published: February 17, 2018
Read Hitch On 2017 Live Reviews
Hitch On 2017
by Martin Longley
Published: February 17, 2018
Read WDR 3 Jazzfest 2018 Live Reviews
WDR 3 Jazzfest 2018
by Henning Bolte
Published: February 16, 2018
Read Chick Corea/Steve Gadd Band At Blues Alley Live Reviews
Chick Corea/Steve Gadd Band At Blues Alley
by David Hadley Ray
Published: February 14, 2018
Read Brian Blade and the Fellowship Band at Sculler's Jazz Club Live Reviews
Brian Blade and the Fellowship Band at Sculler's Jazz...
by Nat Seelen
Published: February 13, 2018
Read "October Revolution in Jazz & Contemporary Music 2017" Live Reviews October Revolution in Jazz & Contemporary Music 2017
by Mark Corroto
Published: October 24, 2017
Read "2017 Tri-C JazzFest Cleveland" Live Reviews 2017 Tri-C JazzFest Cleveland
by C. Andrew Hovan
Published: July 3, 2017
Read "WDR 3 Jazzfest 2018" Live Reviews WDR 3 Jazzfest 2018
by Henning Bolte
Published: February 16, 2018
Read "The Brian McCarthy Quartet At FlynnSpace" Live Reviews The Brian McCarthy Quartet At FlynnSpace
by Doug Collette
Published: December 10, 2017