If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
UK guitar ace David Kilminster boasts an impressive résumé that includes stints with progressive rock icons such as, keyboardist Keith Emerson (Emerson, Lake & Palmer) and bassist John Wetton (Asia, King Crimson), amid his support for rock legend Roger Waters during the ex-Pink Floyd bassist's 2006 tour. A revered session artist, Kilminster's debut solo outing highlights his tasteful and multi-textured chord voicings, spanning progressive pop, progressive metal and a few ballads, featuring strings accompaniment and ethereal background vocals. He doesn't break new ground here, but communicates a solid compositional pen in concert with his largely upper-register vocal range.
Kilminster rocks out on the driving, "Big Blue." Accentuated with howling guitar licks and emphatic vocal choruses, and tinted with a slight rasp, he charts a goodtime and radio-friendly vibe with an anthem-like impetus. Not overstated yet kinetic in scope, the artist showcases his pop persuasions to contrast a disparate track mix. Kilminster also overlays keys to complement his polytonal guitar phrasings and the rhythm section's rousing cadences on select pieces. It's quite apparent that Kilminster possesses the goods to share the stage with many of rock's elite.
Personnel: Dave Kilminster: voice, guitars, keyboards; Pete Riley: drums; Phil Williams: bass.
I love jazz because of Elmer Bernstein's score for the 1957 American film noir Sweet Smell of Success, which I first saw as a teenager in the '70s. As a playwright/screenwriter, I write to music and I'm always looking for ways to incorporate it into my work; the most recent example being Bob Crosby and the Bobcats Big Noise From Winnetka, which became the signature theme for my last stage play The Gift of the Gab
I love jazz because of Elmer Bernstein's score for the 1957 American film noir Sweet Smell of Success, which I first saw as a teenager in the '70s. As a playwright/screenwriter, I write to music and I'm always looking for ways to incorporate it into my work; the most recent example being Bob Crosby and the Bobcats Big Noise From Winnetka, which became the signature theme for my last stage play The Gift of the Gab. My late great pa-in-law--the actor Keith Michell--wins the contest hands down however, as he co-starred in the 1962 movie All Night Long rubbing shoulders with Dave Brubeck, Keith Christie, Bert Courtley, John Dankworth, Ray Dempsey, Allan Ganley, Tubby Hayes, Charles Mingus, Barry Morgan, Kenny Napper, Colin Purbrook and John Scott! Wish I could have been a fly on the wall of that soundstage!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!