Home » Jazz Articles » Album Review » Various: Sax Summit

127

Various: Sax Summit

By

Sign in to view read count
When the Canadian Broadcasting Corporation (CBC) recorded a concert at their Glenn Gould studio earlier this year, it was to become an historical fact. This was the first jazz album that they released and a welcome precursor of their leap into jazz.

The concert featured some of Canada’s best saxophone players. Each has carved a niche as an innovative and creative musician, and with a rhythm section that fits in with the comfort of a warm glove, the music works like a charm. Credit can not be denied Dwyer, who wrote the charts. He gives players room to breathe and manoeuvre, and the ensemble sections are tight knit. He also wrote the only original song on the program, “Appearing Nightly”, a bouncing happy tune on which he swings strongly, complemented by a smooth Rieu before they spar and jab a tad and expand the perimeter.

Swing characterizes other tracks as well. “Blues Up and Down” is incendiary with Murley and Dwyer providing the hottest moments. Rieu is again the tempered man of steel bringing in a balance that boosts the progression. The blues are etched deep on “Work Song”, the emotion ripe and bursting with feel, Ryga cutting edge and feeding the pulse laid down by Clarke.

Of the ballads, Ellington’s “Warm Valley” sees Perry get in to the métier of the melody with a controlled passion, the line taken up in the same rich vein by White. The fluency of Eisenman, steeped in melodic goodness, the groove textured with slight twists in the line by Ryga and Perry, make “Emily/Wendy” a perfect pair. Here’s looking for more from the CBC!

Track Listing

Blues Up and Down; Just You, Just Me; Emily/ Wendy; Appearing Nightly; Body & Soul; Oleo; Work Song; Warm Valley; My Favorite Things; Billie

Personnel

Phil Dwyer

Album information

Title: Sax Summit | Year Released: 2002 | Record Label: CBC Records


Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

New Start
Tom Kennedy
A Jazz Story
Cuareim Quartet
8 Concepts of Tango
Hakon Skogstad

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.