Duduka Da Fonseca: Samba Jazz in Black & White

If one undeniable trait of this recording springs out and latches on, it is the way in which the solid groove of the melody is expanded by the harmonious flights of the musicians. Da Fonseca gives the beat a flexibility and pulse, driving the tune and lighting a fire under the lead voice. On "Mestre Bimba he shows off a rhythm he moulded out of several forms into one. As he skitters and scampers and emphasizes the beat, the others give vent to their passion—Anat Cohen with jutting lines that curl across the upper registers of the soprano saxophone, Helio Alves affirming the melody with a percussive brightness, Guilherme Monteiro playing the guitar with thick, loquacious notes, enunciating the melody with some scampering jazz harmony.

Egberto Gismonti's composition "Palhaço is a charmer. Cohen, once again on the soprano, brings a fervour to her playing that finds her shaping and reshaping the melody, dissecting it and breaking it and then healing it again into one throbbing body. Alves is also a strong composer; his "Sambetinho shimmers like water under the bright sunlight. As a pianist, he brings to the fore the rich melody while Da Fonseca shapes the pulse, his sticks dancing on the cymbals and traps.

This is a deliciously delightful album.

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