A reunion can often be a poignant event, filled with old friends, happy introductions to new faces, and revisions to relational habits; it can also lead to ossification. Rural Renewal exhibits most of these features. Expect nothing new from this album, but if you're a fan of The Crusaders' 1980s music, you'll find more of that sound with this offering.
Every track features the smooth funk grooves that made this group a crossover hit. Everything is exactly in its place, expertly played, and completely cannedready for mass consumption. Eric Clapton appears on two tracks, but even his contributions lack bite or substancefine, not every album made has to be a revelation, and it does seem to be happy reunion. The music rings with familiarity, pleasantry and style, but isn't terribly inspired. These players follow the same formula in both production and content that they created in the '80s, leaving little room for exploration of new ideas. These guys seem to be perfectly content to plow the same field over and over again.
In this reunion there is no revision to relational habits. It has more of the same (with the exception of two 'gospel' pieces featuring singer Donnie McClurkin) smooth freeze-dried funk that made this group famous. I've been listening to this effort for the last month and it still lies there like an inflatable doll. This music was created to perfectly match your sofa...enjoy.
Track Listing: Rural Renewal; Creepin'; Heartland; A Healing Coming On; Sing The Song; Shotgun House
Groove; The Territory;
Greasy Spoon; Viva De Funk; Lazy Sundays; Goin' Home
Personnel: Joe Sample-acoustic pianos, Fender Rhodes, Wurlitzer organ; Wilton Felder-tenor saxophone; Stix
drums; Ray Parker, Jr.-guitar; Dean Parks-guitar; Freddie Washington-bass; Steve Baxter-trombone;
Castro-percussion; Arthur Adams-guitar; Eric Clapton-acoustic and electric guitar; Donnie
Sounds of Blackness-vocals
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.