Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
554

Rudresh Mahanthappa: Hybrid Energy

Rudresh Mahanthappa: Hybrid Energy
Anil Prasad By

Sign in to view read count
Rudresh Mahanthappa is a man on a mission. He's driven to integrate the saxophone into a vast panorama of settings far beyond its typical range. His output is often reflective of his Indian-American heritage, with an engaging hybrid approach that merges avant-jazz and South Asian elements. His current quartet, also consisting of microtonal guitarist David Fiuczynski, bassist Francois Moutin and drummer Dan Weiss, is emblematic of that direction.

In addition to his own band, Mahanthappa leads or co-leads several other groups that push the boundaries of jazz. For almost two decades, he's worked with pianist Vijay Iyer and they currently tour as a duo known as Raw Materials. Indo-Pak Coalition, featuring guitarist Rez Abbasi and Dan Weiss, is another key project. Mahanthappa also works with Carnatic saxophonist Kadri Gopalnath in Kinsmen. The act explores the intersections between Indian and Western improvisatory approaches, with Mahanthappa taking on a jazz-oriented role, while Gopalnath represents the South Indian side of the equation. Mahanthappa is also one third of MSG, a mercurial trio with drummer Chander Sardjoe and bassist Ronan Guilfoyle that recently released its debut album Tasty! (Plus Loin Music, 2010).

Mahanthappa's latest recording, Apex, (Pi Recordings, 2010) is a cross-generational collaboration with the highly influential, yet unsung saxophonist Bunky Green. Best known for a string of albums on Vanguard in the '70s, including the acclaimed Places We've Never Been, Green is enjoying a renaissance of interest as a result of Apex. The fiery, impressive effort features original compositions from both Mahanthappa and Green, as well as performances from pianist Jason Moran, François Moutin, and drummers Damion Reid and Jack DeJohnette. While Green primarily focuses on his role as a jazz educator, serving as the Director of Jazz Studies at the University of North Florida at Jacksonville, the group is an ongoing one, with future recordings and performances planned.

All About Jazz sat down with Mahanthappa to discuss the making of Apex, as well other pivotal moments in his career, over potent glasses of sweet potato schochu at the O Izakaya Lounge in San Francisco's Japantown. In conversation, Mahanthappa offers a similar combination of intrigue, inspiration and humor as that which informs his art.

All About Jazz: Describe the seeds of the Apex collaboration.

Rudresh Mahanthappa: My relationship with Bunky goes pretty far back. I first heard Bunky when I was at Berklee. I had just moved there from North Texas. The reason I left North Texas was I was hearing something that wasn't necessarily traditional in my head and I started developing some kind of "modern" vocabulary as an improviser and composer to some degree. I thought Berklee would be a better place to work that out. I hadn't yet heard Greg Osby, Steve Coleman or any of those folks. I was checking out a lot of Coltrane and 20th Century classical music and trying to reverse engineer how they created vocabulary and fodder for melodic ideas. During my first semester at Berklee, Greg Osby did a residency and played a concert at the end of his week. I can't remember liking or disliking it, but I thought there was something there that was different and very interesting. This was all happening in 1990. It was the year that Dave Holland released the Expansions album. A friend of mine put some headphones on my head in the practice room and said "Check this out." And I was like "Whoa, Steve Coleman." I couldn't believe what I was hearing when I encountered his writing and playing. I heard a kind of kinship with that music and what I was striving for. I heard Charlie Parker, Persichetti and Bartok all at the same time in what he was doing. That was kind of what I was chasing too. So, I got pretty deep into that.

Related Video

Shop

Live Reviews
Best of / Year End
CD/LP/Track Review
Interviews
CD/LP/Track Review
Extended Analysis
Interviews
Read more articles
Bird Calls
Bird Calls
ACT Music
2015
buy
Gamak
Gamak
ACT Music
2012
buy
Tasty!
Tasty!
Clean Feed Records
2011
buy
Samdhi
Samdhi
ACT Music
2011
buy
Apti
Apti
Innova Recordings
2010
buy
Apex
Apex
Pi Recordings
2010
buy
Brad Mehldau Brad Mehldau
piano
Vijay Iyer Vijay Iyer
piano
David Binney David Binney
saxophone
Bennie Maupin Bennie Maupin
clarinet
Donny McCaslin Donny McCaslin
saxophone
Greg Osby Greg Osby
saxophone
Tim Berne Tim Berne
saxophone
Steve Coleman Steve Coleman
sax, alto
Ravi Coltrane Ravi Coltrane
sax, tenor

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.