Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

554

Rudresh Mahanthappa: Hybrid Energy

Anil Prasad By

Sign in to view read count
Rudresh Mahanthappa is a man on a mission. He's driven to integrate the saxophone into a vast panorama of settings far beyond its typical range. His output is often reflective of his Indian-American heritage, with an engaging hybrid approach that merges avant-jazz and South Asian elements. His current quartet, also consisting of microtonal guitarist David Fiuczynski, bassist Francois Moutin and drummer Dan Weiss, is emblematic of that direction.

In addition to his own band, Mahanthappa leads or co-leads several other groups that push the boundaries of jazz. For almost two decades, he's worked with pianist Vijay Iyer and they currently tour as a duo known as Raw Materials. Indo-Pak Coalition, featuring guitarist Rez Abbasi and Dan Weiss, is another key project. Mahanthappa also works with Carnatic saxophonist Kadri Gopalnath in Kinsmen. The act explores the intersections between Indian and Western improvisatory approaches, with Mahanthappa taking on a jazz-oriented role, while Gopalnath represents the South Indian side of the equation. Mahanthappa is also one third of MSG, a mercurial trio with drummer Chander Sardjoe and bassist Ronan Guilfoyle that recently released its debut album Tasty! (Plus Loin Music, 2010).

Mahanthappa's latest recording, Apex, (Pi Recordings, 2010) is a cross-generational collaboration with the highly influential, yet unsung saxophonist Bunky Green. Best known for a string of albums on Vanguard in the '70s, including the acclaimed Places We've Never Been, Green is enjoying a renaissance of interest as a result of Apex. The fiery, impressive effort features original compositions from both Mahanthappa and Green, as well as performances from pianist Jason Moran, François Moutin, and drummers Damion Reid and Jack DeJohnette. While Green primarily focuses on his role as a jazz educator, serving as the Director of Jazz Studies at the University of North Florida at Jacksonville, the group is an ongoing one, with future recordings and performances planned.

All About Jazz sat down with Mahanthappa to discuss the making of Apex, as well other pivotal moments in his career, over potent glasses of sweet potato schochu at the O Izakaya Lounge in San Francisco's Japantown. In conversation, Mahanthappa offers a similar combination of intrigue, inspiration and humor as that which informs his art.

All About Jazz: Describe the seeds of the Apex collaboration.

Rudresh Mahanthappa: My relationship with Bunky goes pretty far back. I first heard Bunky when I was at Berklee. I had just moved there from North Texas. The reason I left North Texas was I was hearing something that wasn't necessarily traditional in my head and I started developing some kind of "modern" vocabulary as an improviser and composer to some degree. I thought Berklee would be a better place to work that out. I hadn't yet heard Greg Osby, Steve Coleman or any of those folks. I was checking out a lot of Coltrane and 20th Century classical music and trying to reverse engineer how they created vocabulary and fodder for melodic ideas. During my first semester at Berklee, Greg Osby did a residency and played a concert at the end of his week. I can't remember liking or disliking it, but I thought there was something there that was different and very interesting. This was all happening in 1990. It was the year that Dave Holland released the Expansions album. A friend of mine put some headphones on my head in the practice room and said "Check this out." And I was like "Whoa, Steve Coleman." I couldn't believe what I was hearing when I encountered his writing and playing. I heard a kind of kinship with that music and what I was striving for. I heard Charlie Parker, Persichetti and Bartok all at the same time in what he was doing. That was kind of what I was chasing too. So, I got pretty deep into that.

Tags

Watch

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Apti

Apti

Rudresh Mahanthappa
Apti

Enhanced Performance

Enhanced Performance

Rudresh Mahanthappa
Codebook

Multiple Reviews
Album Reviews
Live Reviews
Year in Review
Album Reviews
Interviews
Album Reviews
Extended Analysis
Interviews
Live Reviews
Album Reviews
Interviews
Read more articles
Agrima

Agrima

Self Produced
2017

buy
Bird Calls

Bird Calls

ACT Music
2015

buy
Gamak

Gamak

ACT Music
2013

buy
 

Samdhi

ACT Music
2012

buy
Gamak

Gamak

ACT Music
2012

buy

Upcoming Shows

Date Detail Price
May23Thu
Rudresh Mahanthappa Tiger Trio
Montclair Public Library
Montclair, NJ
Jun13Thu
Rudresh Mahanthappa
Jack London Revue
Portland, OR
Jun15Sat
Rudresh Mahanthappa
San Francisco Jazz Festival
San Francisco, CA
$45

Related Articles

Interviews
Moers Festival Interviews: Anguish
By Martin Longley
May 11, 2019
Interviews
Catherine Farhi: Finding Home in the New Morning
By Alexander Durie
May 1, 2019
Interviews
Denny Zeitlin: Balancing Act
By Ken Dryden
April 29, 2019
Interviews
Carlo Mombelli: Angels and Demons
By Seton Hawkins
April 22, 2019
Interviews
Anoushka Shankar: Music Makes the World a Better Place
By Nenad Georgievski
April 17, 2019
Interviews
Dorothy & George Jacob: Putting Bray On The Jazz Map
By Ian Patterson
April 16, 2019