Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

150

Rodney Jones' Soul Manifesto

Jim Santella By

Sign in to view read count
Rodney Jones, Arthur Blythe, Fred Wesley, Dr. Lonnie Smith, Idris Muhammad
The Knitting Factory
Hollywood, California
October 12, 2001

Soul Manifesto's performance began a little stiff and tedious. At first, the music just didn't click the way it was supposed to. The young crowd was standing around flat-footed, not sure if the room would ever start moving. One by one, however, the five artists in Rodney Jones' touring band began turning up the heat gradually. Halfway through the opening number, veteran acid jazz organist Lonnie Smith and JB Horns inspiration Fred Wesley finally broke the ice. From then on, the night never cooled. Audience members danced in place and rocked to the insistent soul-jazz beat. The band played songs from Jones' new Blue Note album: songs that emphasize emotion and invite everyone to share the feeling. They're songs that burn with passion. Coincidentally, the session was interrupted after more than an hour – by The Knitting Factory's fire alarm. Two big fire trucks showed up and demanded an evacuation. It was a false alarm. Nevertheless, the night proved fruitful for Jones and his veteran band.
The guitarist provided the intro to "Soul Makossa." His long feature grabbed the audience with increased volume and a blazing technique. Jones prefers to play standing up. His presence invites the audience to share in what he's doing, since they can readily see what's happening. Wesley and Blythe used clip-on microphones so that they could move about freely. The trombonist, in particular, moved right and left with the flow of the music and seemed to feed from that to inspire the audience. Wesley was one of the vital sparks all night long. He and Jones traded melodic segments on "Ain't No Sunshine" with true lyrical sentiment. Seamless ballad phrasing was passed from one to the other. The song represented the evening's high point, as each artist had his deepest solo and the ensemble activity focused on melody.
Late at night, Hollywood Boulevard is filled with people who want to be different. Similarly, Hollywood's Knitting Factory offers Angelenos something different. Both the main performance space and the alternate lounge feature an eclectic lineup. October's calendar features known performers such as Dave Douglas, Hadda Brooks, Butthole Surfers and Soul Manifesto; as well as lesser known entities such as Goldie's Yiddish Orchestra, The Snakes, Orange County Klezmers, and Hour Mary. There's something here for almost everyone – as long as your ears are open and you like good music.


Tags

comments powered by Disqus

More Articles

Read Mary Ellen Desmond: Comfort and Joy 2017 Live Reviews Mary Ellen Desmond: Comfort and Joy 2017
by Victor L. Schermer
Published: December 15, 2017
Read Jazztopad Festival 2017 Live Reviews Jazztopad Festival 2017
by Henning Bolte
Published: December 13, 2017
Read Vivian Reed at Feinstein's/54 Below Live Reviews Vivian Reed at Feinstein's/54 Below
by Tyran Grillo
Published: December 12, 2017
Read Henry Threadgill at Tilton Gallery Live Reviews Henry Threadgill at Tilton Gallery
by Kurt Gottschalk
Published: December 10, 2017
Read The Brian McCarthy Quartet At FlynnSpace Live Reviews The Brian McCarthy Quartet At FlynnSpace
by Doug Collette
Published: December 10, 2017
Read Mindi Abair at The Empress Theatre Live Reviews Mindi Abair at The Empress Theatre
by Walter Atkins
Published: December 8, 2017
Read "Mary Fahl at The Cutting Room" Live Reviews Mary Fahl at The Cutting Room
by Tyran Grillo
Published: November 11, 2017
Read "Soule Indomitable at Nectar's" Live Reviews Soule Indomitable at Nectar's
by Doug Collette
Published: April 2, 2017
Read "2017 Tri-C JazzFest Cleveland" Live Reviews 2017 Tri-C JazzFest Cleveland
by C. Andrew Hovan
Published: July 3, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!