After decades of recording on a number of labels, including most recently a long stint with Concord, Rob McConnell is releasing once again another one of his almost-annual CD's. At the start of the millennium, he is recording for the first time on the Canadian label, Justin Time, appropriately enough.
Recording Rob McConnell Tentet in Toronto, McConnell still reminds his listeners of the reasons for his groups' distinctiveness: fresh, swinging arrangements that belie the relatively few musicians executing his richly colored sound. That sound remains intact in his "tentet."
Plunging into the fun with a right-on-the-beat start of "Old Devil Moon," McConnell continues to delight his listeners with subtle, unanticipated accents and unison horn lines in an arranged variation on the tune. "Speak Low," with its long and slowly deepening brass tones over drum-and-bass propulsion, strips away the horn lines to allow bassist Wallace to speak low of the true basis for the tune: its lightly unconventional rhythm. Dizzy Gillespie's and John Lewis' "Two Bass Hit" reveals the power of the band. But it really is the foundation for the tentet's saxophonists, P. J. Perry, Mike Murley and Alex Dean, to do battle, armed only by their instruments and their talent.
"Everything I Love," a tune inspired by Paul Desmond, is valuable as an arrangement that tests the group's cohesion in the same way that Neal Hefti's "Girl Talk" doeswith a solid group unity that delves into each note in anticipation of the beat and without ostentation. "Everything I Love" allows for a McConnell solo as well, as he explores the harmonic underpinnings with a vibrant tone and an effortless, melodic improvisational approach. Percy Faith's "Maybe September" glides through kaleidoscopic changes behind a luxuriant tenor sax statement of the theme which is similar to the film noir references of Charlie Haden's Quartet West.
Even within the consistency of McConnell's patented arrangements and instrumentation, unlike any others, Rob McConnell Tentet contains a diversity of mood. With or without the Boss Brass, McConnell's allegiance to the gorgeousness of a brass choir-like sounds remains intact.
Track Listing: Old Devil Moon, Speak Low, Two Bass Hit, Everything I Love, Con Alma, Maybe September, Theme For Jobim, Ian Leaps Out, Manha de Carnaval, Lush Life, These Are The Things I Love
Personnel: Rob McConnell, trombone, producer; P.J. Perry, alto sax; Mike Murley, Alex Dean, tenor sax; Steve McDade, trumpet; Guido Basso, flugelhorn; Terry Promane, trombone; Steve Wallace, bass; Terry Clarke, drums; Dave Restivo, piano
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.