Rhythm Logic is a rather typical guitar-keyboards-bass-drums contemporary ensemble, presenting a likable, if not remarkable, program of adult contemporary fare. Eight of the ten tunes on their self-titled debut are originals, the remaining two are well-known covers: Earth, Wind & Fire's "Fantasy" and Donald Fagen's "I.G.Y." (from his solo album Nightfly). The covers were included, I suppose, with the hope of securing some airplay on the smooth jazz playlists. They're very close to the originals. The originals, likewise, are competently done and listenable. However, there's little to give this band a unique sound or distinguish it from the rest of the pack, except possibly for the fact that the drums and percussion are all played by humans. (Zebra ZD 44018)
Tracks:Tuesdays Love; I.G.Y.; Logically Speaking; Full Speed; Fantasy; You Know I Will; Take Me Away!; A Portrait of Passion; Beverley; The First Time. (48:10)
Personnel: Michael White: drums; Brian Simpson: keyboards; Dwayne "Smitty" Smith: bass; Ron Smith: drums.
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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